Giuseppe Palumbo Abstract Sculptures

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

"Fiesta" by Carol Gold Abstract Figurative Bronze A couple of figures dancing. 29.5x36x9" ed/10 (AP available) The monumental version of this sculpture was placed on the pedestrian...

Rotazione Ascensoriale I , 1993 bronze sculpture h15 x 12.5 x 8 cm approx , ( including base ) , diameter Ø approx 13.5 cm limited edition , numbered: 15/70 signed dated and numbered...

Bronze Sculpture 'Bolas IV' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze sculpture Bronze Patina Certific...

A unique, life size wall mounted steel sculpture made of painted aluminium.

Henry Moore, Three Piece Reclining Figure Bronze Conceived 1963, cast 1977 Stamped with signature and edition to base Edition 5/9 Dominion Gallery placard to underside Henry Moore F...

Bronze Sculpture 'Bolas II' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze sculpture Bronze Polished Certificate of authenticity Numbered and sign...

The Geologic Screens Series The Geologic Screens are studies from the Colorado Cascade Mural. David pieced together bits of the original rock and ice castings to try various combinat...

Dimensions include base STANISŁAW WYSOCKI (b. 1949) Wysocki studied at the Academy of Fine Arts in Poznań (1978-1980) and then at the Hochschule der Kunste in Berlin under prof. J....

A unique, medium sized powder coated steel sculpture on a steel base. Once-off, abstracted figurative artwork in pastel shades of pink and blue.

"Lady in Coat" Abstract Bronze Sculpture 19" x 5" x 2" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculptur...

This squirrel is made by Dutch Artist Frans van Straaten. Van Straaten should be called an artist of balance always searching for harmony between force and movement in combination with space. Because of the wide range in his art-education he has mastered the art of drawing, painting and sculpting technology. However, the classical plastic art of sculpture and modelling opens up the possibility for him to create his own language of sculpture in answer to his urge for art. Due to this style of sculpting, the preference for bronze is natural. After his study of sculpture at the Academy of Art in Rotterdam (1988), Frans van Straaten creates bronze sculptures in which he unites force and movement. Feeling and Emotion converted into Matter Sculpture is an experience of space combined with the challenge of the three-dimensional. The tension of space and movement are the themes, which Frans expresses in his sculptures. Summary it can be said that the power of life and being, the feeling and emotion by force and movement will be converted into matter. The experience of space is being expressed in the shapes and characters in each of Frans’ sculptures. His sculptures of bulls express explosive power while the horses find their strength in being elegant. Each sculpture recalls this way their own association and serves as a metaphor for a certain emotion. Feelings, which has inspired the artist for each sculpture. Powerful and Elegant Looking at the works of this artist, it becomes very clear that one of his most important sources is his background in art history. The Renaissance period as well as several Italian artists served as inspiration to Frans as a sculpture. For instance the expressions in Leonardo da Vinci’s artworks, and also Giovanni Bologna...