Gonzalo Fuenmayor Art

Landscape BW Original Drawing Mineral Oxide on Fabriano Paper 50x70 cm 2024 hand-made drawing one of a kind not reproducible CERTIFICATE OF AUTHENTICITY Framing options available

A serene study in charcoal, The Art of Relaxation by Judith Williams captures the quiet strength of a woman at rest. Rendered with expressive, gestural linework, this minimalist figu...

"Blooming Jaguar" by Oliver Flores is a whimsical watercolor and charcoal drawing of a beautiful colorful elephant. This artwork comes in a white floater frame, ready to hang. Frame...

Judith Williams’ Moonlit Musings evokes a dreamlike moment of introspection. This charcoal drawing features soft shadows and flowing lines that suggest movement, memory, and quiet th...

Frammenti Mineral Oxide on Paper (Fabriano Elle) 50x70 cm 2024 Original Art Marilina Marchica's research delves into the relationship between Man and Nature and the emotional impl...

"The unusual shapes coming together in their raw simplistic form, how they interact with each other, the shapes creating their own language. I let them stand alone in their purest fo...

Victor Cartagena Untitled, 2021 Charcoal and India Ink on paper Unframed dimensions: 30 x 22 inches Framed dimensions: 35.12 x 26.50 in

Landscape BW Charcoal on papers ( Canson Paper 300gr) Origial drawing ,one of a kind 65x50 cm 2024 The drawing is shipped flat inside a cardboard clip, it is possible to buy the dr...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

"The unusual shapes coming together in their raw simplistic form, how they interact with each other, the shapes creating their own language. I let them stand alone in their purest fo...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

Description: This original artwork titled "Landscape BW" by Marilina Marchica, created in 2023, is a unique and non-replicable piece that beautifully captures the artist's deep sensi...