Gunnar Donald Anderson Animal Paintings

Morgan Cameron’s (US based) “Wanderer” is an oil painting on panel that depicts a Bison in the wild. This painting is unframed, but ready to hang. Ab...

Title: Bullfighting Scene Artist: José María Tuser Vázquez (1919-1986) Technique: Oil on board Dimensions: 25.6 x 21.3 in (65 x 54 cm) Frameless Period: Second half of the 20th century Art Movement: Figurative Expressionism with Impressionist influences Condition: Good, with visible signs of aging on the surface DESCRIPTION OF THE WORK This painting captures a crucial moment in a bullfight, where the matador, dressed in a dazzling traje de luces (suit of lights), elegantly holds the red cape (muleta) while facing a wounded bull. The scene conveys tension and drama through energetic and loose brushwork, with strong contrasts of light and color that enhance its expressiveness. The abstract background, built with gestural brushstrokes in warm, earthy tones, reinforces the dynamism and immediacy of the moment. The thick texture of the paint and the vibrant colors in the matador's attire and cape are characteristic of Figurative Expressionism, giving the work a strong emotional impact. Tuser masterfully captures the essence of movement and the intensity of the bullfight through a painterly approach reminiscent of Impressionism, but with a greater emphasis on gesture and expressive color, making his work stand out for its raw energy and dramatic depth. ARTIST BIOGRAPHY José María Tuser Vázquez (Barcelona, 1919 - 1986) was a Spanish painter specialized in bullfighting themes, gaining recognition in the 20th-century art scene for his expressive depictions of the corrida (bullfight). He studied at the School of Arts and Crafts in Barcelona, where he developed a strong mastery of color and composition. From 1947 onwards, his work focused almost entirely on bullfighting, creating posters, illustrations, and paintings that capture the emotion and spectacle of the arena. He was a frequent collaborator with El Ruedo magazine, where his illustrations and covers solidified his reputation. Additionally, in the 1940s, he designed series of postcards featuring traditional Spanish costumes for the Artigas Publishing House. His work has been auctioned in several art houses and is highly valued among collectors of bullfighting paintings. His influence and legacy in tauromaquia (bullfighting art...

Homage to baroque allegory, symbolic figurative realism. About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphas...

Brian Keith Stephens' "Wild Things Return Act III" (2020) is an original oil painting capturing the essence of a bison with expressive and vibrant brushwork. Painted on Artefex ACM p...

Harry P Jr Sutton (1897 - 1984) was active/lived in Massachusetts. Harry Sutton is known for figures, interiors, and still life painting. This is a uniq...

Brian Keith Stephens' painting "All the Wild Ones Act 4" (2018) is a delightful exploration of wildlife through the lens of contemporary artistry. Rendered in oil on panel, this orig...

Charming painting of colorful Gallic "Le Coq Gaulois" roosters by listed California artist Helen Enoch Gleiforst (American,1903-1997), circa 1950. Born in...

Lone figure with hummingbird

Crow Skull with bright colors

Louis Recchia's (US based) "Interior with Picasso" is an original, handmade oil painting on canvas. About the Artist: Louis Recchia has been producing contemporary art in Denver fo...

Brian Keith Stephens' "Butterfly Kisses for You #3" (2018) is an evocative wildlife portrait, skillfully executed in oil on linen mounted to wood. With dimensions of 11 inches high b...

Scott Conary's "Mallard Study" is an original, handmade oil painting that depicts a yellow billed duck floating peacefully in tranquil blue waters. About the Artist: Raised where the East Coast suburbs filtered into the woods and farms, Scott Conary (Rhode Island School of Design, BFA ’93) creates expressive oil paintings with rich surfaces of everyday objects and places, often those with which we have complicated and ambiguous relationships. Pulled from their context, these objects say something about how we interact with the world and one another. These are stories of the arbitrary nature of beauty, of melancholy, of fleeting triumph, and the camouflage of time: the mess and splendor of the broken egg, the weed that fights to survive in the gaps of our attention, the weathered door used for generations but now forgotten, and so on. Fueling and inspiring this work is his young daughter’s battle with complicated heart defects, her experiences with disability, and the impact this has had on those around her. This has directed his focus toward the narratives and tensions in the familiar, and is why he wanders deeper into the thicket of representational work.  Conary's work is in collections nationally and internationally, and has been exhibited widely including Salmagundi’s American Masters shows. Conary is represented by the Principle Gallery (Alexandria, VA), Bowersock Gallery (Provincetown, MA), Turner Fine Art (Jackson...