Haga Fors Furniture

Nice set of 6 chairs. Composed of teak and original faux leather, really good manufacture. Re-upholstery on request.

This set of four modernist chairs was manufactured by the Danish manufacturer Glostrup Møbelfabrik during the 1960s. They are made of solid teak in a warm shade of brown. The seat is...

This set of four dining chairs was made in Denmark during the 1960s. The chairs are made of teak wood in a warm shade of brown. The seats have been reupholstered with high-quality bl...

Scandinavian blue painted chair. Vintage blue painted wood side chair with shaped back perfect in the bath. Sweden, first quarter 20th century. Di...

Limited edition reproductions by D. Larsson, inspired by the finest 18th - 19th-century Swedish furniture. HAGA, a fine reproduction Gustavian barrel back armchair is influenced by ...

Set of 6 Scandinavian vintage chairs by Finnish designer Ilmari Tapiovaara dating from the 60s. Beechwood structure, backs and seats have been painted black (original paint). Very ni...

This iconic scandinavian Modern dining chair Mod 316 was designed by Peter Hvidt and Orla Molgaard Nielsen for Søborg Mobler Denmark circa 1956. It features a organic sculptural soli...

Marvelous MCM (a.k.a. Mid-Century Modern) Scandinavian Style high back lounge chair and ottoman attributed to Home Chair Company. This set has been ...

Set of 2 Scandinavian Hagafors chairs in the style of Tapiovaara. These chairs embody the essence of Nordic design with their elegant simplicity and practical functionality. Crafted...

Set of six chairs designed by Josef Frank for Svensk Tenn, Model 725. Sweden. 1938. Mahogany and original leather. Literature: Kristina Wängberg Eriksson, Jan Christer Eriksson, "Josef Frank Möbelformgivaren", Carlsson Bokförlag, Stockholm 2014, p. K 18 H: 90 cm W: 58 cm D: 63 cm SH: 43 cm Armrest height: 69 cm (at the highest point) Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best...

An expressive Scandinavian chair from the 1930s, remaining in the style of Axel Einar Hjorth. Constructed in solid wood with a robust, architectural frame, the piece reflects the rus...

Crafted from durable beech plywood, these chairs epitomize solidity and style, offering a refined dining experience with a modern flair and distinctive character. Channeling the esse...