Haren Das Art

Route 10 - Abstract Collage Abstract mixed media collage which pulls on motifs from color-field painting, cubism, and geometric abstraction. This piece has a warm quality to the col...

Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yal...

Rosie Phipps The Cotswolds Original Watercolour Painting Watercolour Paint on Paper Image Size: H 10cm x W 25cm x D 0.1cm Mount Size: H 19cm x W 34cm x D 0.3cm Framed Size: H 23cm x ...

Tim Engelland (American, 1950-2012) Untitled, c. 1990 Woodcut 11 x 8 1/2 in. Signed and numbered bottom right: T. Engelland, 161/250 A lifelong artist,...

Tim Engelland (American, 1950-2012) Dim Sum!, 1991 Woodcut 8 1/2 x 11 in. Signed dated lower right: T. Engelland, '91 Titled lower middle: Dim Sum! Numbered lower left: 73/150 A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy, a prestigious preparatory school in Deerfield, Mass. There he taught art and photography, coached basketball and lacrosse, and served as faculty resident. When the school began accepting female students, Tim designed The Deerfield Girl, a bronze statue to accompany The Deerfield Boy statue standing in the school’s Memorial Building. Along with John O’Brien and Peter Fallon, Tim founded the Deerfield Press, publisher of limited-edition illustrated poems and stories; James Dickey, John McPhee, and Seamus Heaney are among the authors whom the Press published. For several decades, Tim served on the faculty at the Advanced Placement Summer Institute in St. Johnsbury, Vt., and as a consultant to the College Board. He spent sabbaticals in New York City and Boston, and he has exhibited in galleries in those cities and many other venues. His work can be found in the National Library of Ireland, Boston’s Museum of Fine Arts, and in private collections worldwide. In 2004, Tim returned to Indiana. He was married to Susan Karen Carpenter...

This stylish black and leopard print dress is an artwork on paper blending paint, pencil and collage elements. Intuitive mark-making and loose textured detail make for an outcome bot...

"Vegetable Forms No. 1" is a bright fresh woodcut print of a mirrored halved cabbage. Nature's intricate design is fully appreciated and apparent in the captured tight crinkled and folded leaves. #7/7 Signed and Dated Joyce Tilley Nagel...

Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yal...

In this series, Audrey Anastasi has shifted her focus away from naturalistic domestic settings to a dark, enigmatic, and some might say, unsettling, pl...

Rooster is a vintage woodcut print realized by Jean Lucrat in 1948. Good condition on a cream colored paper. No signature, on the back the title in french language. Jean Lurçat (French: 1 July 1892 – 6 January 1966) was a French artist noted for his role in the revival of contemporary tapestry. In order to fully appreciate and understand the works of Jean Lurçat, one must view them in the context of the history of tapestry, in particular, the downfall of its existence during the rise of the Renaissance. It was during this time that tapestry was somewhat re-invented, where by traditional techniques were misplaced in the likening of tapestry to paintings by artists of the likes of Raphael. Jean Lurçat is largely responsible for its revival in the 20th century when he redefined the importance of designing tapestry in a way that embraced the integrity of authentic tapestry...

This original mid-20th-century oil stick on paper by acclaimed American modernist George Vander Sluis (1915–1984), titled Barn Side with Sliding Do...

Hand signed by artist Figurative, Human figure, Realism, Drawing, Collage, paper, pencil