Harold Davis Landscape Photography

In his latest show, Benjamin Heller invites us to enter a poetic space of echo and convergence. As a photographer, sculptor, and performer, movement is key in this body of work, that is punctuated by self portraits selected from the series "The Long Walk: Analog Narratives". This series features pieces collected over an extended period of time spent traveling. It is a window to the interior landscapes he seeks to find reflected in the world, to contain a sense of this intimate vastness. All of the images can be viewed as variations on a self-portrait. The places of intimacy and sense of vastness contained in the photographs can convey a sense of transport that enhances the viewer's visual experience. The "echoes" we find in the show reside in multiplicities of human and physical forms, rolling natural curves, and animals in flight; all intended to provide a resonance with the contours of earth, water, and wind. The result is an array of images captivating in themselves, but also given new meaning in the context of Robin Rice's skillful curatorial arrangement. Her intuitive placement creates a graphic narrative for the viewer to follow and decipher, encouraged by the convergence of the poetic titles of the works. Traces of poetry, sculpture, the lines of the body, lived experience are also evoked in Heller's photographs, in movement and action. He also finds inspiration in photographer Duane Michals' framing of expressive narratives, and in Sally Mann's felt sense of powerful physical presence. Photographer Miranda Penn Turin, in reviewing the exhibition, said "I can almost hear a soundtrack, and it's the sound of wind". The invitational image is entitled "Fall," a graceful figure, suspended in a glowing arc, light streaming upwards, eyes closed in rapture. This light sits in contrast to the infinite shadow of the black background, conjuring a certain atmosphere. Heller believes that it is shadows that allow the viewer to reside in the experience – this image does just that. These imagined environments speak to our converging lives and the echoed moments we experience, embodying for each viewer, just what Benjamin Heller connects with while photographing. Another view of self portraiture at the front sign in desk, is an image reading, "and the soul wanted to move," between the keys of a typewriter. This show is a mirror of a desire to move. The black & white images capture simultaneously this movement and stillness, asking us to pause between the natural forces that rise and fall. Heller employs multiple-exposure and a fixed 4x5...

"Gods at the Beach 2" Photography 39" x 39" in Edition 1/3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the arti...

"Yeow! Pt, Death Valley", a black and white landscape photograph that borders on abstraction by Jeff Nixon (American, 20th century). Signed "Jeff Nixon" lower right. Titled "Yeow! Pt, Death Valley" on verso. Unframed. Photograph size: 8"H x 9.5"W. Mat,12"H x 15"W. Jeff Nixon began photographing in the late 1960's, and by the end of the millennium had acquired an impressive list of credentials; many years as a year round resident of Yosemite Valley, noted instructor in the techniques of black and white photography which he gleaned from his years of working with Ansel Adams, and learning the Zone System from the master himself. Jeff has been an instructor for two California Junior Colleges, Modesto and Columbia, has led extension courses for UC Santa Cruz and UC Berkeley, and taught and lectured in numerous seminars and classes. He has taught workshops and has had many showings nationwide, working with Morley Baer, Chris Rainier, Rod Dresser, and John Sexton...

"Inception" Black White Photography 31" x 31" in Ed. 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube....

This loose albumen silver print is signed and numbered in the negative. Printed c. 1880s.

This early albumen silver print is titled in ink on the front of the mount. Printed before 1876, when Watkins lost his negatives to a creditor, who sold them to his competitor, Isaia...

Signed and dated on lower right, numbered on verso, 2/15 Printed later, other size available, unframed - Printed on Hahnemühle Fine Art paper

"Gods at the Beach 1" Nude Photography 39" x 39" in Ed. 1/3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the art...

Signature: Signed, dated lower , numbered right 2 /15, Unframed, Other sizes available.printed later, Printed on Hahnemühle Fine Art paper Mitchell Funk is a pioneer of " Color P...

This is the greatest and most iconic picture and vintage Las Vegas even done. This classic view of downtown neon signs of Las Vegas before the wrecking ball demolished one of Americ...

"Inception" Black & White Photography 24" x 24" in Ed. 2/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the arti...

One of the famous members of the Humanist photography in France. Signed lower right. Stamp of the artist's studio on the back.