Haydee Torres Mixed Media

Title: Ripple Effect Sea Glass 6 Piece Set Medium: Cast and Poured Resin, Enamel, Plexiglass Size: 15" x 15" per square Year: 2022 "Some have called my art "Liquid Rhythms". I am a...

Ayobola Kekere-Ekun’s "Plushie X" (2025) is a striking original work of art, meticulously crafted using quilled paper strips, fabric, and acrylic on canvas. Measuring 23.62 x 23.62 x...

Masri Hayssam (Lebanese, Italian, born 1965) "Symphony" 2019 Oil Paint, Acrylic Paint, Mixed Media, Canvas, Stretcher Bars The artist signed the bottom left and the back of the paint...

Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy and represented by the Grège Gallery. Her artistic practice reflects a deep exploration of mat...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Peter Peereboom (1952) graduated from the Royal Academy of Arts in The Hague. He has various solo shows on his name including Centre Pompidou Paris in ...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

Paula Valenzuela Bajo tierra (Underground), 2024 Mixed media on canvas 40 x 30 inches This one-of-a-kind acrylic painting on canvas is stretched across wooden stretcher bars. Extern...

Jesse’s imagery often merges playful and gritty elements, blending floral patterns, vintage-inspired designs, and bold outlines with a touch of whimsy. His artwork exudes a sense of ...

Sam Gilliam Cuatro, 1994 Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper Hand signed, dated, titled and annotated P/P by Sam Gilliam...

Abissus Abissum Invocat is one of the best works realized by Alberto Sordi in 2005. The scenario is apocalyptic, from Twilight of the Gods: on the parchment of the title, inspired by a biblical passage, the face of Joachim of Fiore emerges; the celestial abyss is reflected in hell, a figurative expression of "The Last Cataclysm" by Tyutcev, among a crowd that includes Jacopone da Todi, Frederick of Swabia, Kierkegaard, Pascal, medieval knights and more. In the background, the destruction of idols, ancient cities and modern skyscrapers. The televisions below broadcast images of Dostoevsky, Philip Dick...

'The Pulse Of Spring' Original Artwork _________________ Capturing the pulse and flush of fleeting youth, in the throb of spring the maples are dressed in their iridescent finery. '...