Heinz Edelmann Art
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Artist: Heinz Edelmann
The Letter E, Pop Art Screenprint by Heinz Edelmann
By Heinz Edelmann
Located in Long Island City, NY
Heinz Edelmann, Czech (1934 - ) - The Letter E, Portfolio: The Alphabet Portfolio, Year: 1994, Medium: Screenprint, Image Size: 33.5 x 21.5 inches, Size: 35 x 23 in. (88.9 x 58....
Category
1990s Pop Art Heinz Edelmann Art
Materials
Screen
The Letter Q, Pop Art Screenprint by Heinz Edelmann
By Heinz Edelmann
Located in Long Island City, NY
Heinz Edelmann, Czech (1934 - ) - The Letter Q, Portfolio: The Alphabet Portfolio, Year: 1994, Medium: Screenprint, Image Size: 33.5 x 21.75 inches, Size: 35 x 23 in. (88.9 x 58...
Category
1990s Pop Art Heinz Edelmann Art
Materials
Screen
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Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.126, #114.
About Lichtenstein’s Mirror Series (taken from Corlett):
Mirrors were an important subject in Lichtenstein’s paintings and prints of the early 1970s. From late 1969 to 1972 he painted over forty canvases depicting this subject. The first print was in 1970, with Twin Mirrors (cat. no.102) for the Guggenheim Museum. In 1972 he also produced Mirror (cat. No. 115) at Styria Studio, in addition to this Gemini G.E.L. series of nine prints. In the mid-seventies he took up the subject in sculpture, and he returned to it in prints as recently 1990, with Mirror (cat. No 246). In addition, he has often explored the related theme of reflections, incorporating them in various paintings and in several print series: Reflections (1990; cat. Nos. 239 – 245), Interiors (1990, published 1991; cat. nos. 247 – 54), and Water Lilies (1992; cat. nos. 261 – 66).
This Gemini group (catalog nos. 1-6 - 114) utilizes lithography, screenprint, line-cut, and embossing... In an interview with Lawrence Alloway, Lichtenstein noted: “You know, I am always impressed by how artificial things look – like descriptions of office furniture in newspapers. It is the most dry kind of drawing, as in the Mirrors. They really only look like mirrors if someone tells you they do. Only once you know that, they may be moved as far as possible from realism, but you want it to be taken for realism. It becomes as stylized as you can get away with, in an ordinary sense, not stylish.” As Jack Cowart has commented: “One would not actually stand in front of a Lichtenstein Mirror...
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By Ronnie Cutrone
Located in Aventura, FL
Screen print in colors on paper. Hand signed and numbered by Ronnie Cutrone. From the edition of 150.
Certificate of Authenticity included. Please do not hesitate to ask us any further questions. All reasonable offers will be considered.
Please note our gallery has more than 1 of this artwork in stock and the exact edition number you may receive may be different than pictured.
About the artist: Ronnie Cutrone (American, b.1948) is a Pop artist renowned for his vibrant, satirical paintings...
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IDENTITY CRISIS (BLACK)
By Ronnie Cutrone
Located in Aventura, FL
Screen print in colors on paper. Hand signed and numbered by Ronnie Cutrone. From the edition of 150.
Certificate of Authenticity included. Please do not hesitate to ask us any further questions. All reasonable offers will be considered.
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Previously Available Items
Original Beatles, Yellow Submarine, Sea of Monsters, drawing by Heinz Edelmann
By Heinz Edelmann
Located in Petworth, West Sussex
Heinz Edelmann (German, 1934 – 2009)
The ugly monster
Pen on paper
Numbered ‘2’ (lower right under the mount)
11.3/4 x 9.7/8 in. (30 x 25 cm.) (to site edge)
Provenance: formerly in the possession of Rudiger Volhard, Clifford Chance solicitors
The handling of the drawings is confident and the annotations and numberings suggest they are prototypes, prior to the completion of the film cells.
Edelmann was born in Czechoslovakia in 1934. After studying at the Düsseldorf Art Academy he became a successful illustrator, drawing satirical cartoons for the German newspaper Frankfurter Allgemeine Zeitung. He began his career as a designer of theatre posters and provided cover illustrations for the youth magazine twenand also schule magazine. Illustrations from the latter, shown below, are strangely reminiscent of the cartoons of Edward Lear. Magazine production in the 1960s was relatively primitive and relied on the kind of typographical tricks used by Edelmann in the Sophia Loren poster...
Category
1960s Pop Art Heinz Edelmann Art
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Paper, Pen
H 11.75 in W 9.88 in D 1 in
Original Beatles, Yellow Submarine, Sea of Monsters, drawing by Heinz Edelmann
By Heinz Edelmann
Located in Petworth, West Sussex
Heinz Edelmann (German, 1934 – 2009)
Puffing long legged beast
Pen on paper
Numbered ‘3’ (lower right under the mount)
10.1/8 x 10.1.8 in. (25.7 x 25.7 cm.) (to site edge)
Provenance: formerly in the possession of Rudiger Volhard, Clifford Chance solicitors
The handling of the drawings is confident and the annotations and numberings suggest they are prototypes, prior to the completion of the film cells.
Edelmann was born in Czechoslovakia in 1934. After studying at the Düsseldorf Art Academy he became a successful illustrator, drawing satirical cartoons for the German newspaper Frankfurter Allgemeine Zeitung. He began his career as a designer of theatre posters and provided cover illustrations for the youth magazine twenand also schule magazine. Illustrations from the latter, shown below, are strangely reminiscent of the cartoons of Edward Lear. Magazine production in the 1960s was relatively primitive and relied on the kind of typographical tricks used by Edelmann in the Sophia Loren poster...
Category
1960s Pop Art Heinz Edelmann Art
Materials
Paper, Pen
H 10.13 in W 10.13 in D 1 in
Original Beatles, Yellow Submarine, Sea of Monsters, drawing by Heinz Edelmann
By Heinz Edelmann
Located in Petworth, West Sussex
Heinz Edelmann (German, 1934 – 2009)
A smiling lizard beast
Pen on paper
Numbered ‘4’ (lower right under the mount)
8.1/2 x 10.1/8 in. (21.5 x 25.8 cm.) (to site edge)
Provenance: formerly in the possession of Rudiger Volhard, Clifford Chance solicitors
The handling of the drawings is confident and the annotations and numberings suggest they are prototypes, prior to the completion of the film cells.
Edelmann was born in Czechoslovakia in 1934. After studying at the Düsseldorf Art Academy he became a successful illustrator, drawing satirical cartoons for the German newspaper Frankfurter Allgemeine Zeitung. He began his career as a designer of theatre posters and provided cover illustrations for the youth magazine twenand also schule magazine. Illustrations from the latter, shown below, are strangely reminiscent of the cartoons of Edward Lear. Magazine production in the 1960s was relatively primitive and relied on the kind of typographical tricks used by Edelmann in the Sophia Loren poster...
Category
1960s Pop Art Heinz Edelmann Art
Materials
Paper, Pen
H 8.5 in W 10.13 in D 1 in
Original Beatles, Yellow Submarine, Sea of Monsters, drawing by Heinz Edelmann
By Heinz Edelmann
Located in Petworth, West Sussex
Heinz Edelmann (German, 1934 – 2009)
A canon beastie
Pen on paper
Numbered ‘11’ (lower right under the mount)
10.1/4 x 11 in. (26 x 28 cm.) (to site edge)
Provenance: formerly in the possession of Rudiger Volhard, Clifford Chance solicitors
The handling of the drawings is confident and the annotations and numberings suggest they are prototypes, prior to the completion of the film cells.
Edelmann was born in Czechoslovakia in 1934. After studying at the Düsseldorf Art Academy he became a successful illustrator, drawing satirical cartoons for the German newspaper Frankfurter Allgemeine Zeitung. He began his career as a designer of theatre posters and provided cover illustrations for the youth magazine twenand also schule magazine. Illustrations from the latter, shown below, are strangely reminiscent of the cartoons of Edward Lear. Magazine production in the 1960s was relatively primitive and relied on the kind of typographical tricks used by Edelmann in the Sophia Loren poster...
Category
1960s Pop Art Heinz Edelmann Art
Materials
Paper, Pen
H 10.25 in W 11 in D 1 in
Heinz Edelmann art for sale on 1stDibs.
Find a wide variety of authentic Heinz Edelmann art available for sale on 1stDibs. You can also browse by medium to find art by Heinz Edelmann in paper and more. Not every interior allows for large Heinz Edelmann art, so small editions measuring 42 inches across are available. Customers who are interested in this artist might also find the work of Ludwig Hohlwein, Jupp Wiertz, and Ottomar Anton. Heinz Edelmann art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $4,778 and tops out at $4,778, while the average work can sell for $4,778.





