Henrietta Dunn Mears Art

An impressionistic depiction of a figure in the snow with cars and buildings in the busy City Streets. The Empire State Building is portrayed in the background as the snow filled str...

A wonderful Impressionist summer pastoral scene of a colorful and quaint home by the stream. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed muc...

Quaint pastoral landscape of a figure and dog walking down a country lane amongst tall autumn trees with beautiful fall foliage by Cal Donna Zell (American, 20th Century). Signed "Ca...

Wonderful 1940s figurative of paper boy reading the comics by Louise Miller Clark (American, 20th Century). Signed "Louise Miller" lower right. Unframed. Im...

A wonderful view of a charming European town. This work captures the quiet intimacy of a cobbled lane, its golden stones leading the viewer toward a cluster of whitewashed and brick ...

In "Harborfront" the artist uses colorful, impressionist brushstrokes to bring a working waterfront to life.

Original oil on canvas board painting of a fall landscape by the American artist, Arthur Mitchell. Signed lower left by the artist. Circa 1890. Condition is very good. The paintin...

Outstanding Oil on board a snow-covered Canadian landscape of the Haliburton Highlands near Ontario. Andrew B Phin is a painter, who is listed as a 20th-century Canadian painter of ...

An extraordinary marine painting by Wolcott from the early 20th Century depicting a tranquil harbor scene with an Italian Fishing Boat in Gloucester, Massachusetts. The composition t...

Kathryn E. Cherry Rockport Harbor Signed lower right Oil on canvas board 10 1/2 x 12 inches Kathryn Cherry was an influential St. Louis painter, ceramicist, designer, and art educa...

Will Foote View of Arizona Desert near Wickenberg, circa 1927 Signed lower center; titled and dated on the reverse Oil on artist's board 12 x 16 inches Foote was born on June 29, 1874 in Grand Rapids, Michigan, and died on January 27, 1965, in Sarasota, Florida. He was in Old Lyme, 1901-65; and in Cos Cob, 1903. Will Howe Foote was one of the earliest artists at Old Lyme and one who adopted the town as home. He first went there the summer of 1901 with his uncle, William H. Howe, a painter of cattle, who had been told about the beauties of the countryside by Henry Ward Ranger. Foote had himself heard of Old Lyme when he had met Clark Voorhees in France. He and his uncle were both from Grand Rapids, Michigan, where Foote's father was an executive in the furniture industry that made the city famous. Encouraged to be an artist by his father, he began his professional training at the Art Institute of Chicago in 1894. He became friends there with a fellow Michigan student, Frederick Frieseke, who would study with him again at the Art Students League in New York, where Foote worked in 1895-96 under H. Siddons Mowbray and Kenyon Cox. In 1897 he and Frieseke went to the Academic Julian in Paris, where Foote studied under Jean-Paul Laurens and Benjamin Constant. He was at Julian's until 1900, except for an Italian trip, summers at Laren, Holland, or Etaples, France, and a short period at Whistler's school in Paris. He exhibited twice at the Old Salon, and when he returned to the United States in 1900, he had a one-man exhibition in his hometown. Will Howe Foote's paintings were well received on his return from abroad. He exhibited frequently at the National Academy of Design and became an associate member in 1910. His awards included a bronze medal at the St. Louis Exposition in 1904 and a silver medal at the Panama-Pacific Exposition in San Francisco in 1915. Once he visited Old Lyme, Foote returned every summer. In 1902 he was hired as assistant to Frank DuMond at the Lyme Summer School of Art, which was sponsored by the Art Students League of New York. Sometime in 1903 he also taught a session in Cos Cob. After 1906, when the League moved its Lyme classes to Woodstock, New York, Foote continued in Old Lyme as a private instructor. In 1907 he was married to Helen Kirtland Freeman, whom he had met a year or two earlier when she had come to the Lyme art colony as a student of Henry Rankin Poore. Fellow artist William Chadwick was best man at the wedding. The Footes began building a house on Sill Lane in Old Lyme and upon its completion in 1909 spent every spring, summer and fall there, where Foote devoted full time to painting. The Gregory Smiths, old friends from Grand Rapids, arrived in Old Lyme in 1910 and became neighbors. Foote's early works in Connecticut, such as A Summer's Night reflect the artist's interest in soft, atmospheric scenes dominated by a single, overriding tone. The arrival of Childe Hassam and Walter Griffin...

An important landscape work by renowned American impressionist Emil Carlsen (1853-1932). This work depicts the Windham, Connecticut home of Carlsen’s closest friend and fellow artis...