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Henry Horenstein Black and White Photography

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Artist: Henry Horenstein
Jackie Beat, California Institute of Abnormalarts (CIA)
By Henry Horenstein
Located in New York, NY
Archival pigment print Signed and numbered, verso 24 x 20 inches, sheet (Edition of 15) 40 x 30 inches, sheet (Edition of 8) This photograph is offered by ClampArt, located in New...
Category

Early 2000s Contemporary Henry Horenstein Black and White Photography

Materials

Archival Pigment

Amber Ray
By Henry Horenstein
Located in New York, NY
Archival pigment print Signed and numbered, verso 20 x 24 inches, sheet (Edition of 15) 30 x 40 inches, sheet (Edition of 8) This photograph is offered by ClampArt, located in New...
Category

Early 2000s Contemporary Henry Horenstein Black and White Photography

Materials

Archival Pigment

Prince Poppycock
By Henry Horenstein
Located in New York, NY
Archival pigment print Signed and numbered, verso 24 x 20 inches, sheet (Edition of 15) 40 x 30 inches, sheet (Edition of 8) This photograph is offered by ClampArt, located in New...
Category

Early 2000s Contemporary Henry Horenstein Black and White Photography

Materials

Archival Pigment

Fishnets, New York Burlesque Festival, Southpaw
By Henry Horenstein
Located in New York, NY
Archival pigment print Signed and numbered, verso 24 x 20 inches, sheet (Edition of 15) 40 x 30 inches, sheet (Edition of 8) This photograph is offered by ClampArt, located in New...
Category

Early 2000s Contemporary Henry Horenstein Black and White Photography

Materials

Archival Pigment

Ronnie
By Henry Horenstein
Located in New York, NY
Gelatin silver print Signed and numbered, verso 14 x 11 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. In Close Relations, noted p...
Category

1970s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Domestic Pig (Sus scrofa domestica)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print Signed and numbered, verso 20 x 24 inches, sheet (Edition of 35) 26 x 39 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. “Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers. “In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category

1990s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Last Call
By Henry Horenstein
Located in New York, NY
Gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. Forty years after he began ...
Category

1970s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Waylon Jennings
By Henry Horenstein
Located in New York, NY
Gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. Forty years after he began ...
Category

1970s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Jukebox
By Henry Horenstein
Located in New York, NY
Gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...
Category

1970s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Lovers
By Henry Horenstein
Located in New York, NY
Gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...
Category

1970s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Drunk Dancers
By Henry Horenstein
Located in New York, NY
Gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. Forty years after he began ...
Category

1970s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Loretta Lynn
By Henry Horenstein
Located in New York, NY
Gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...
Category

1970s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

TV, Kitchen
By Henry Horenstein
Located in New York, NY
Gelatin silver print Signed and numbered, verso 14 x 11 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. In Close Relations, noted p...
Category

1970s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Beluga Whale (Delphinapterus leucas)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print Signed and numbered, verso 24 x 20 inches, sheet (Edition of 35) 39 x 26 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. “Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers. “In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category

1990s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Christine
By Henry Horenstein
Located in New York, NY
Gelatin silver print Signed and numbered, verso 14 x 11 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. In Close Relations, noted p...
Category

1970s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Jerry Lee Lewis
By Henry Horenstein
Located in New York, NY
Gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...
Category

1970s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Hosts, Charity Party
By Henry Horenstein
Located in New York, NY
Gelatin silver print Signed and numbered, verso 14 x 11 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. In Close Relations, noted p...
Category

1970s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Emperor Penguin (Aptenodytes forsteri)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print Signed and numbered, verso 24 x 20 inches, sheet (Edition of 35) 39 x 26 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. “Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers. “In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category

1990s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Cownose Ray (Rhinoptera bonasus)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print Signed and numbered, verso 24 x 20 inches, sheet (Edition of 35) 39 x 26 inches, sheet (Edition of 15) This photograph is offered by ClampArt, loc...
Category

1990s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Chammie and Uncle George
By Henry Horenstein
Located in New York, NY
Gelatin silver print Signed and numbered, verso 11 x 14 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. In Close Relations, noted p...
Category

1970s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Waiting Backstage
By Henry Horenstein
Located in New York, NY
Gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...
Category

1970s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Harmonica Player
By Henry Horenstein
Located in New York, NY
Gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...
Category

1970s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Wanda Behind the Bar
By Henry Horenstein
Located in New York, NY
Gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. Forty years after he began ...
Category

1970s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

White-cheeked Spider Monkey (Ateles marginatus)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print Signed and numbered, verso 20 x 24 inches, sheet (Edition of 35) 26 x 39 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. “Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers. “In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category

1990s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Domestic Great Dane (Canis lupus familiaris)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print Signed and numbered, verso 24 x 20 inches, sheet (Edition of 35) 39 x 26 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. “Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers. “In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category

1990s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Brown Sea Nettles (Chrysaora fuscescens)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print Signed and numbered, verso 20 x 24 inches, sheet (Edition of 35) 26 x 39 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. “Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers. “In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category

1990s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Melody Sweets, New York, NY
By Henry Horenstein
Located in New York, NY
Archival pigment print Signed in pencil, verso 22 x 17 inches, sheet 15 x 15 inches, image This photograph is offered by ClampArt, located in New York City. The series, "Show," is photographer Henry Horenstein’s long-anticipated look at modern burlesque. The photographs were made from 2001 to 2009, and serve as an homage to the neo-burlesque resurgence of the last several years. The noir-styled images in "Show" are variously amusing, sexy, and harsh — true reflections of the world they document. The book covers a myriad of burlesque-style performance, including drag, fetish, and sideshow. Horenstein says, “These performers are today’s version of the ‘starving artist’ — living on the margins and delivering their personal expression through song, dance, comedy, and narrative — charged sexually and often highly political.” "Show" includes portraits of many of burlesque’s most recognizable performers, including Dita Von Teese and Catherine D...
Category

Early 2000s Contemporary Henry Horenstein Black and White Photography

Materials

Archival Pigment

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Previously Available Items
Dolly Parton
By Henry Horenstein
Located in New York, NY
Gelatin silver print Signed and numbered, verso 10 x 8 inches, sheet (Open Edition, Unsigned) $1400.00 20 x 16 inches, sheet (Edition of 25) $3500.00 30 x 30 inches, sheet (Editio...
Category

1970s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Dolly Parton
By Henry Horenstein
Located in New York, NY
Gelatin silver print Signed and numbered, verso 10 x 8 inches, sheet (Open Edition, Unsigned) $1400.00 20 x 16 inches, sheet (Edition of 25) $2500.00 30 x 30 inches, sheet (Editio...
Category

1970s Other Art Style Henry Horenstein Black and White Photography

Materials

Silver Gelatin

Dolly Parton
By Henry Horenstein
Located in New York, NY
Gelatin silver print Signed and numbered, verso 10 x 8 inches, sheet 20 x 16 inches, sheet (Edition of 25) 30 x 30 inches, sheet (Edition of 5) This photograph is offered by Clam...
Category

1970s Other Art Style Henry Horenstein Black and White Photography

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Silver Gelatin

Henry Horenstein black and white photography for sale on 1stDibs.

Find a wide variety of authentic Henry Horenstein black and white photography available for sale on 1stDibs. You can also browse by medium to find art by Henry Horenstein in silver gelatin print, archival pigment print, pigment print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the contemporary style. Not every interior allows for large Henry Horenstein black and white photography, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of James Whitlow Delano, Burt Glinn, and Lynn Goldsmith. Henry Horenstein black and white photography prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,400 and tops out at $2,500, while the average work can sell for $2,500.

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