Hippolyte François Moreau More Furniture and Collectibles

Gorgeous pair of Original antique Art Deco bookends model: "Squirrel'' by Max le Verrier 1930. Superbly stylized Art Deco sculptures that a...

French Art Deco bookends, France, 1920s. Cat and dog. The Art Deco spirit at its best. A discreet cubism underlines the perfect lines of our two friends. Spelter and marble. Each - H...

Gorgeous pair of Machine Age or Art Deco bookends in the style of Walter Von Nessen, circa the 1940s. These are solid steel bookends. Great modernist look.  

Pair Art Deco Silvered-Bronze 'Turkey' Bookends by G. Rischmann France, 1930s Each one signed in script 'G. Rischmann France' By Gaston Rischmann (1907-1979) A unique pair of Art De...

Very stylish and rare matching pair of Art Deco bookends. These are a great find and in exceptional condition. Originating from France and dating to the 1930s both stand on marble ba...

Very nice pair of nude nymph / flapper reproduction art deco bookends by Sarsaparilla Deco Design, circa 1980s. The set are in original conditio...

Attractive pair of cut marble Art Deco triangle bookends, circa 1940s. They are in original condition with a nice patina and some small chips around the corners (please see pictures)...

1930s Art Deco Marble Bookends Green marble with white veining Gold marble with black veining This pair of bookends would look great in an office or recording studio Evokes old Holl...

Elegant Pair of French Art Deco Bookends in Marble, circa 1920s Striking and highly characteristic Art Deco bookends from the 1920s, crafted in a sophisticated combination of marble...

Beautiful vintage French bookends, pair of art deco swan or grebe bookends with a black and white veined marble base, Nero Marquina marble, the swans are made of spelter metal that i...

Pair of bookends circa 1930. Wrought iron squirrels stamped P. Kiss for Paul Kiss. In perfect condition. Total height: 17.5 cm Width: 14.2 cm Depth: 7.5 cm Total weight: 5.8 kg A French master ironworker, Paul Kiss was born in 1885 in Belafalva, Romania, and trained in Central and Western Europe before settling in Paris. He gained recognition and awards in the mid-1920s, when he gained recognition for his Art Nouveau and Art Deco-inspired creations with the arrival of Cubism and its clean lines. This is evidenced by an article by critic George Denoinville on the 1925 International Exhibition of Decorative Arts, and more specifically on Paul Kiss, whose contribution to interior and exterior furniture he celebrated through decorative objects such as console tables, doors, and radiator covers. According to him, Paul Kiss… "Master Ironworker works tirelessly towards this goal… What stood out above all was this interior partition door, so simple, rich in patterns and frames, that it appeared to us like a veritable metallic lacework. …Paul Kiss is, without a doubt, one of our most original artistic ironworkers…" Excerpts from "Mobilier et Décoration, December 1925," pp. 21-27. After the First World War, Kiss opened his own studio and showroom on rue Léon-Delhomme. Kiss designed and produced numerous pieces of iron furniture throughout the 1920s and 1930s. He was commissioned to restore historic monuments and create new public monuments. His clients included the kings of Siam and Egypt. Kiss created the metalwork for the Monuments aux Morts war memorial in Levallois-Perret, France, for which he received the silver medal at the Salon des Artistes Français in 1924. In 1925, he exhibited at the Salon des Artistes Décorateurs and the Exposition Internationale des Arts Décoratifs et Industriels Modernes. In the 1920s, Kiss mentored the young designer Paul Fehér...

This is a pair of 1930s Art Deco French bookends. Each bookend features a sculptural swan design made of metal, which exudes an elegant and streamlined aesthetic typical of the Art D...