Horst P. Horst Figurative Photography

Listing is for UNFRAMED print. Inquire within for framing. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...

Flipping Boy, 4th Ward, Houston, TX by Earlie Hudnall, Jr. is a 14 x 11 inch silver gelatin print. This photograph features a boy flipping in the street, with people watching from the sidewalk and the skyline of Houston in the background. This photograph is signed, titled, and dated in pencil on print verso by Earlie Hudnall, Jr. Earlie Hudnall, who is one of the most notable African American...

TECHNICAL INFORMATION Schiller, Lawrence Marilyn Monroe Birthday Cake 1962 / 2007 Silver Gelatin Print 30 x 40 in. Edition of 75 Signed & numbered ...

January 11, 1967: Top British pop group the Rolling Stones taking a stroll through London's Green Park, from left to right, Mick Jagger, Bill Wyman, Charlie Watts, Brian Jones (1942 ...

Listing is for UNFRAMED print. Inquire within for framing. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...

Beach, Italy, 1984 by Leonard Freed is an 8" x 10" black and white photograph, a gelatin silver RC press print from the Freed archive, signed verso (on back of photograph) by the photographer. Provenance: Freed Estate Leonard Freed discovered Little Italy in New York...

Anthony FRIEDKIN (*1949, America) Woman by the Pool, Beverly Hills Hotel, Beverly Hills, California, U.S.A., 1975 Silver Gelatin Print, later print Image 76,2 x 114,3 cm (30 x 45 in....

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

Beach II, Italy, 1984 by Leonard Freed is an 11" x 14" black and white photograph, a gelatin silver RC press print from the Freed archive, signed verso (on back of photograph) by the...

Listing is for UNFRAMED print. Inquire within for framing. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

Listing is for UNFRAMED print. Inquire within for framing. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...