Huntington Witherill Photography

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Equivalent, Series 107, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by ...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Equivalent 27C, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by Twice a ...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Spring Showers, New York, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published b...

Title: Barns Black & White Photography Edition of 10 Also available in 20"x30" Edition of 10 *Photography: U Wash Truck, Death Valley and Mulford Lane, Amagansett 2012 have been ...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled New York Series, Spring, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Night, New York, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by Twice a...

"Sheep, Storm, South Park, Colorado" – 1967 Vintage Black-and-White Photograph by Myron Wood Signed Western Landscape Print Capturing the Drama and Serenity of Colorado Experience t...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Sky, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published by Twice a Year Press,...

Vintage hand signed and stamp signed with the photographers stamp and numbered photo of trilliums. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...

A great little modernist image of a forgotten town. Lloyd Ullberg was a highly talented self-taught American modernist photographer whose works were published in major American peri...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Evening from the Shelton, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Published b...

Vintage hand signed and stamp signed with the photographers stamp and numbered photo of Moccasin Flower. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...