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Russia / 19th Century / Religious Icon Christ Pantocrator / wood / Antique A striking 19th-century Russian religious icon depicting Christ Pantocrator, finely hand-painted in temper...

These exquisite portrait plaques were made in the French town of Limoges, which is renowned for the fine quality of its enamel wares. The panels have been painted with oval, half-length portraits of British Tudor monarchs...

Large wild boar trophy on wooden plaque, Germany 1950s. A large vintage black forest wild boar (Sus scrofa) trophy on an ebonized nutwood plaqu...

Unique handcarved wooden head of Christ with beautiful expression and glass eyes, once used at processions. Napels/ Italy, circa 1750-1800. Beautiful example of 18th century craftsma...

Early religious work of art, presented in the original antique frame. This beautiful and uplifting portrait of Saint Joseph holding hands with the child Jesus is an oil on canvas an...

This antique hand painted porcelain panel is unsigned but was done in Italy in circa 1890 in the Roccoco style. The hand painted porcelain disc of La Madonna della Sedia, after Rafael Sanzio...

Unique and antique alabaster sculpture of our Lord Jesus. This gorgeous and large size work of religious art from a church or monastery is...

Stunning and unique 'sermon on the mount' wall plaque with Jesus and the apostles carved in high relief. This large size work of religious art dep...

Pair of English Gothic Revival style (19th Cent) painted and gilt trimmed wall plaques with religious scene in arched top upholstered frame.

17th century Christ in chains Oil on canvas, 95 x 71 cm Frame 110 x 84 cm The figurative tradition representing Christ with chained hands can be traced back to the early Middle Ages, when an iconography of His pains spread widely. The need to translate the Passion into images aimed to raise awareness of the forgiveness that has occurred for all men, consequent to the Crucifixion. This painting depicts the moment before the audience before Pilate. Christ has not yet been cruelly mocked by the soldiers, despite the fact that he is already wearing the crown of thorns and the purple...

19th century miniature portrait of a nun on porcelain with brooch frame Wonderful antique portrait of a nun hand painted on porcelain. The portrait is housed in a brass frame t...

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...