Ignazio Gardella Case Pieces and Storage Cabinets

Modular bookcase model LB7 designed by Franco Albini for Poggi. Marked Poggi Pavia. An extremely flexible bookcase, with different modular options, suited to being against a wall or...

La libreria in foto, attribuita a Carlo De Carli, prodotta da Fiarm negli anni '70 del XX secolo, è composta da due corpi distinti ma offre la possibilità di unirli in un unico eleme...

Amazing mid-century bamboo and Rattan triangular corner bookshelf. Franco Albini inspired the design of this piece, produced in Italy during the 1970s. This piece is fantastic thank...

Scandinavian Mid-Century Modern design teak bookcases set designed by Grete Jalk and produced by P. Jeppesens Møbelfabrik, movable vertical partition...

Recently imported from Italy, this is a good example of post war Italian Avant Garde design. Measuring an impressive 3-metres from floor to ceiling – a common height in Italian apartments – with opportunity to arrange the shelves to suit. This impressive freestanding storage...

That is a one-of-a-kind piece. Unique and outstanding, it holds a museum exhibit quality. An artefact for collectors and connoisseurs. A piece without any compromises. Highly valuabl...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

A fine Italian bookcase cabinet with brass finishes in excellent vintage condition. attributed to Paolo Buffa, 1950s.   

Rare bookcase designed by Angelo Mangiarotti for Skipper. Structure made of Carrara marble. The bookcase is part of the "Loico collection" for the Skipper factory Italy 1970s . Compo...

Vintage Mid Century Modern Retro Glass Case Cabinet or Bookcase. Beautiful and minimalist design from the 1950s.

Elegante libreria modulare in stile String System, realizzata negli anni ’80. La struttura è composta da montanti in metallo cromato con intrecci posteriori a croce e mensole in legn...

Libreria a due ante, dal pavimento al soffitto, con struttura in metallo nero e ripiani in legno, piedini e coprisoffitto in ottone dorato, design italiano, anni '60. CONDIZIONE: In...