Jack Davis Art

A group of men come across something inexplicable, something that looks amazingly like a scoop of ice cream with a chocolate topping, in the middle of the forest and desperately try ...

Two photographic motifs, which can by no means fit together in real life, result in a coherent and at the same time completely absurd image on a painting level. It may symbolize wishful thinking which can never be realized in reality. keywords; americana, surrealism, yellow banana, vintage, oil painting, men figurative painting...

This 27" x 19" monochromatic graphite and charcoal drawing by Serbian artist, Bojan, is rendered in a hyper-realistic manner. A dog is the main subject in the lower right corner ...

Original gouache and watercolor on brown archival paper of a standing crow in profile. Signed and dated lower right. Condition is good to very good. Colors of the bird are strong a...

Watercolor with graphite on heavy gauge watercolor paper, 9 3/4 x 7 1/4 inches (249 x 185 mm), the full sheet. Titled and dated August 27, 1896 in pencil in the lower right margin. I...

Represented by George Billis Gallery, NYC & LA -- Joseph Piccillo's large-scale canvases contrast masculine and feminine qualities, carefully balancing strength and power beside grac...

Raro studio dell'artista Preraffaellita Frederick Sandys,Studio per l’opera Portrait of a Lady,( Anne Simms Reeve of Brancaster Hall, Norfolk) proprie...

Fall landscape of field of wheat or long grass. yellow, beige and brown colors. American

PATRICK WILSON (b. 1970, Redding, CA) received his Bachelor of Arts degree at the University of California, Davis in 1993 and his Masters of Fine Art degree at Claremont Graduate University in Claremont, CA in 1995. For abstract painter Patrick Wilson, aesthetic beauty and visual pleasure are primary concerns. Using drywall tools, paint rollers, and masking tape, Wilson layers lines, squares, and rectangles in meticulously balanced compositions that, with the use of vivid color, evoke a palpable sense of light. Despite Wilson’s assiduous process, he also works intuitively, responding to his compositions as they evolve. “The key value of abstraction to me is its openness,” he explains. “The best abstraction isn’t didactic, it’s experiential.” He has had numerous solo exhibitions, including Miles McEnery Gallery, New York, NY; Susanne Vielmetter Los Angeles Projects, Culver City, CA; “Evolving Geometries: Line, Form, and Color,” Center for the Arts at Virginia Tech, Blacksburg, VA; “Steak Night,” Susanne Vielmetter Los Angeles Projects, Culver City, CA; “Patrick Wilson: Pull,” University Art Museum, California State University Long Beach, Long Beach, CA; “Slow Motion Action Painting,” Marx & Zavattero, San Francisco, CA; and “Slow Food,” Curator’s Office, Washington, D. C. Recent group exhibitions include "Do You Think it Needs a Cloud," Miles McEnery Gallery, New York, NY; “20 Years Anniversary Exhibition,” Vielmetter Los Angeles, Los Angeles, CA; “The Responsive Eye Revisited: Then, Now, and In-Between,” Miles McEnery Gallery, New York, NY; “Michael Reafsnyder & Patrick Wilson”, Miles McEnery Gallery, New York, NY; “Pivotal: Highlights from the Collection,” Orange County Museum of Art, Newport Beach, CA; “On the Road...

Subject : Lieu Commun - Le bras de Persoperine (Title - FR) This original colored pencil drawing is inspired by Gian Lorenzo Bernini’s iconic Baroque sculpture “The Rape of Proserpi...

Painted by Nura Woodson Ulreich (American, 1899-1950) as a full-page illustration for the book 'The Buttermilk Tree', unsigned and dated circa 1935. A rare example of a fully-develop...

Katherine Porter Country Music (Nashville is an Enigma), 1986 Mixed media; colored pencil, gouache, and graphite on paper, uniquely signed and inscribed with Nashville dateline Hand ...