Jack Levine Prints and Multiples

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Jan Matulka (1890-1972), Spanish Woman with Guitar, lithograph, 1925, an unsigned proof impression. Reference: Flint 13, only a few impressions known...

Comical illustration by Gaston Hoffmann (French, 1883-1977). A doctor is giving a shot to a female patient, while a nurse tries to prevent a man from barging in. Pencil signed "G Ho...

Picasso and the Weeping Woman — 1994 Metropolitan Museum of Art Exhibition Poster (Linen-Backed). Grade A- condition. Size is 40” x 37.5”. The painting’s original name is “The Pa...

Elizabeth Catlett - THERE IS A WOMAN IN EVERY COLOR Rare vintage fine art lithograph poster reproduced after Catlett's original 1975 woodcut print entitled THERE IS A WOMAN IN EVERY...

Matt Magee Constellations, 2019 Diptych lithograph 22 x 44 inches overall (22 x 22 each sheet) Edition of 30 Unframed

MULTI PERSONAGE is an original limited edition lithograph by the Dutch artist Karel Appel, printed using hand lithography techniques on archival Arches paper, 100% acid free. MULTI PERSONAGE is a lively abstract color collage portrait expressed in vibrant shades of red, blue, pink, green, purple, yellow with hints of multi color pastel tones and white creating an abstracted body and face. Bold black paint strokes define the face with its zany black eyes, head, body and limbs; collage effect torn paper bits fill in the body form. MULTI PERSONAGE is a very unique, fantastically playful and wild composition by Karel Appel, one of the founders of the avant-garde art movement CoBrA active during the late 1940's thru early 1950's. His paintings are known for incorporating applications of vibrant, violent colors often possessing a primal, childlike quality. Print size - 30 x 20 inches, unframed, excellent condition, pencil signed by Karel Appel Edition size - 175 Year published - 1980 Printer - JK Fine Art Editions Co., NY Karel Appel was one of the founders of the avant-garde art movement CoBrA, active during the late 1940's thru early 1950's. His paintings are known for incorporating applications of vibrant, violent colors often possessing a primal, childlike quality. Karel Appel, (born April 25, 1921, Amsterdam, Netherlands—died May 3, 2006, Zürich, Switzerland), Dutch painter of turbulent, colorful, and semi-abstract compositions, who was a co-founder (1948) of the CoBRA group of northern European Expressionists. He was also a noted sculptor and graphic artist. Appel attended the Royal Academy of Fine Arts, Amsterdam (1940–43), and helped found the “Reflex” group, which became known as CoBRA (for Copenhagen, Brussels, and Amsterdam), in 1948. He moved to Paris in 1950 and by the 1960s had settled in New York City; he later lived in Italy and Switzerland. Partly in reaction against what they perceived as the sterile academicism of the de Stijl movement, the CoBRA artists...

“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...

Finely detailed late 19th century chromo-lithograph portrait of a violinist street musician by John George Brown (British, 1831-1913). Many of Brown’s paintings were reproduced in lithography (Chromo-lithograpy), as is the case with the one offered here. Presented in a rustic antique Oak wood frame with giltwood fillet. Image, 15.63"H x 10.63"W. John George Brown was a British citizen and an American painter born in Durham, England. His parents apprenticed him to the career of glass worker at the age of fourteen, in an attempt to dissuade him from pursuing painting. He studied nights at the School of Design in Newcastle-on-Tyne while working as a glass cutter there between 1849 and 1852, and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 ad 1853. After moving to New York City in 1853, he studied with Thomas Seir Cummings at the National Academy of Design where he was elected a National Academician in 1861. Brown was the Academy’s vice-president from 1899 to 1904. Around 1855, he worked for the owner of the Brooklyn Glass Company, and later he married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time. In 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. Brown became famous for his depictions of street urchins found of the streets of New York (bootblacks, street musicians, posy sellers, newsboys, etc.). Brown’s art is best characterized as British genre painting...

"The Putting Green" - Figurative Landscape 20th century lithograph copy (restrike) of an original painting by British artist Douglas Adams (English, 185...

1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this original 1960's print is derived from Bacon's ...

Etching and aquatint, 1918. Wide margins. Second state (of 2) with the darker toned background. Edition of approximately only 13 (in both the first and second states combined). Si...