Jacob Elier Vases and Vessels

Collection of Glassware by Jacob Bang for Kastrup Glassworks A 6-piece handblown glass set from Jacob Bang’s Grøn Serie which includes a decanter with original turned wood stopper and rattan-wrapped neck, a tall pitcher with rattan handle, a conical pitcher with glass stir...

Jacob Bang White Glass Decanter / Bottle for Kastrup, Denmark, 1960s.

Orrefors Expo tall tulip vase designed by Nils Landberg. Wonderful glass with exceptional red color that collaborates with the clear glass. A beaut...

Jacob Eiler Bang for Holmegaard, Karaffel, Snapsekone, Female Decanter  Denmark, circa 1930 This exceptional Art Deco glass decanter, designed by Jacob Eiler Bang for Holmegaard aro...

Beautiful Vase with applicated leaves by Arne Bang 1930s

A fluted brown-glazed stoneware vase designed and produced by Arne Bang, Denmark, 1930s.

Exceptionally rare sea green gilded Holmegaard figural decanter and stopper designed in 1926 by Jacob Bang -The body of the decanter is his torso and legs -his arms are the twin handles and his head is the stopper-with the pourer formed into his collar. The similar female version of this decanter is documented in McConnels' Decanter book and an example resides in the Holmegaard Museum. The Holmegaard Glass factory was built in 1825, founded by Countess Henriette Danneskiold-Samsøe. They made glass bottles at first, and then branched out into tableware in the 1830's. Holmegaard glass are probably best known for Michael Bang's (son of Jacob) Palet range (1968 - 1975), Per Lutken's Carnaby glass...

Jacob Bang White Glass Vase / Decanter for Kastrup, Denmark, 1960s comes with original cork top.

Danish ceramic stoneware by Arne Bang (1901-1983), circa 1950. Two handles Vase with a beautiful enamel. Signed by the ceramist Artist, monogram "AB" and model number "38".

A cased purple glass vase 'Opaline Form' by Jacob E. Bang. Designed in 1960 and created at Holmegaard in Denmark. Organic shape - gourd shape. Manufactured during the 1970s is a styl...

Arne Bang 1901-1983. Fluted "Model 116" ceramic stoneware vase with beautiful turquoise glaze. Denmark 1950's. Signed with monogram, No. 116.

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...