Jacques Lamy Still-life Paintings

➡️Still Life painting from C Romey⬅️ This is a still-life painting depicting a variety of fruits spilling from a wicker basket onto a table with a white and red cloth. The artwork f...

May Hill by Eleanor Woolley [May 2021] original Oil Painting on Gesso Board Image size: H:15.2 cm x W:15.2 cm Complete Size of Unframed Work: H:15.2 cm x W:15.2 cm x D:2cm Sold U...

⭐Still life _ Garlic and Chili Peppers ⭐ Technique: oil, acrylic, ink on wood frame 40x40cm / 15,7x15,7inch ⭐Sustainability⭐: Wooden frame is made by the artist by recycling old b...

"The Vanguard Series Nr. II: A Collection of Postwar European Abstractions", oil on board, by JG (circa 1950s–70s). A compelling body of work emerging from the forgotten studios and ...

***PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 13 INCHES X 16 INCHES*** Oliver Clare British, (1853-1927) Still Life of Fruit & Still Life of Flowers Oil on canvas, pair, both signed & dated ‘92 Image size: 6 inches x 9 inches (each) Size including frame: 13 inches x 16 inches (each) An appealing pair of still life paintings by Oliver Clare. The first painting shows primroses and lilac blossom next to a red berry. In the second, damsons can be seen next to apples and a strawberry. Oliver Clare was born in Birmingham in 1853, the son of the flower artist George Clare (1839-1890) and his wife Elizabeth Bowen. His brother Vincent Clare (1856-1917) also became an artist and both would have received tuition from their father who influenced their style and subject matter. At the age of 18 he enlisted as a soldier in the Kings Own regiment, but gave this up to become a full time artist. Like his father, Clare specialised in still life paintings, containing fruit and garden flowers, often on mossy banks. Sometime after 1871, he moved to London where he married Emma Mary Webb...

➡️Still Life from J Robert⬅️ 🟢Jacques Robert (1921–1997) was a French writer, journalist, and screenwriter. Born on June 27, 1921, in Lyon, France, he began his career in journalis...

The Vanguard Series Nr. V: A Collection of Postwar European Abstractions", oil on board, by JG (circa 1950s–70s). A compelling body of work emerging from the forgotten studios and at...

This contemporary post-impressionist floral painting, "Summer’s Orange Bloom", with a touch of expressionism and art brut, was created by the French artist Natalya Mougenot. Vibran...

“Still Life, 1936” by Katharine "Kitty" Duff Church (British, 1910-1999). This large, early painting by Katherine Church is among her finest canvases of the period. Characterized by its bold color palette, simplified forms, and expressive brushwork, this composition centers around a tabletop adorned with various objects: potted plants, a ceramic dish, bottles, and what appear to be books or papers. The two potted plants provide contrasting elements: on the left, what appears to be a cyclamen with red blossoms and delicate leaves, and on the right, a lush green plant with darker foliage. These plants, painted with loose, textured strokes, add an organic quality to the otherwise structured arrangement. The tabletop is cluttered yet thoughtfully composed, featuring additional objects like a clear, faceted glass bowl, a small bottle, and books or pads in striking red and green. The dynamic use of color blocks and the juxtaposition of shapes (round pots against rectangular books) create a sense of rhythm and harmony. The background is darker and less defined, emphasizing the brightly lit tabletop. Church's brushwork is gestural and modernist, leaning toward abstraction, challenging traditional still life conventions. This painting reflects Church’s interest in balancing everyday objects with bold artistic expression. It conveys both the simplicity and complexity of daily life, transforming an ordinary moment into a vibrant and engaging work of art. This work is oil on canvas and is signed and dated in the lower right. It is housed in its original gessoed frame and retains various labels and inscriptions on the reverse. Size: 28.25 inches tall by 36 inches wide (painting) 34 inches tall by 42 inches wide by 2 inches deep (frame) Provenance: Private collection, NY; Acquired from the above About the artist: Born in Highgate, north London, Katharine Church, known as ‘Kitty’ amongst friends and family, always wanted to paint. She trained at the Royal Academy of Arts between 1930-1933 and at the Slade between 1933 and 1934. In her early years Kitty exhibited regularly at the Royal Academy. Her first solo exhibition was in 1933 at the Wertheim Gallery. Other artists who exhibited there included Christopher Wood, Victor Pasmore and Cedric Morris. Kitty also showed with the New English Art Club, the London Group and between 1937-1947 her work was exhibited at the influential Lefevre Gallery, which supported avant-garde artists such as Henry Moore, Ben Nicholson and Barbara Hepworth. In 1954 the artist was invited to take part in the Figures in their setting exhibition held at the Tate Gallery. Henry Tonks and Philip Wilson Steer had a strong influence on Kitty’s early work, but it was her friendship with Ivon Hitchens that liberated her painting technique. In 1936 Kitty married Anthony West, the son of writers Rebecca West and H.G. Wells. The couple initially lived in London before moving to Quarry Farm, Chicksgrove, Tisbury, near Salisbury, where they brought up their children Caroline and Edmund. There they hosted many of their friends, including the New Zealand painter Frances Hodgkins. Other regular visitors before the War included John and Mywafany Piper, Ralph and Frances Partridge, Noel and Catharine Carrington, Julian Trevelyan and Mary Fedden. For many of those who visited Kitty would organise painting expeditions. After the war Kitty and Anthony separated, with Anthony moving to the United States. Anthony West moved to the United States to work as a journalist for The New Yorker. In the early years after their parting Kitty visited most years with the children. In the 1960s Kitty purchased Sutton House and ran the Hambledon Gallery at Blandford Forum. There she promoted the work of her early art-school friends Mary Fedden and Julian Trevelyan, alongside work by the Pipers, John Craxton...

Title" Freedom Flowers Painting Flowers Freedom Contemporary Modern Bold Original Nature Statement Joy Whilst creating Freedom Flowers, I connected to the gift of nature, the abund...

French School, mid 20th century Still life of books oil on board unframed board: 10.5 x 13.75 inches provenance: private collection, France condi...

This contemporary expressive impressionist abstract floral painting, Roses and Two Apples, is a radiant work by French artist Natalya Mougenot, known for her emotionally intuitive an...