James Baldwin Books

Audrey Hepburn on the set of 'Paris When it Sizzles,' Paris, 1962 by Vincent Rossell Vintage gelatin silver print Photographer's credit stamp, Au...

Audrey Hepburn on the set of 'Paris When it Sizzles,' Paris, 1962 by Vincent Rossell Vintage gelatin silver print Photographer's credit stamp, Audrey Hepburn collection stamp and numerical notations verso From the Personal Collection of Audrey Hepburn...

Audrey Hepburn on the set of 'Paris When It Sizzles' Vintage gelatin silver print by Vincent Rossell Photographer's credit stamp, Audrey Hepburn ...

An unflinching exploration of aging from one of the twentieth century’s most influential photographers For more than half a century, Richard Avedon sought to represent advancing age in the faces of the people he photographed. From his earliest years at Harper’s Bazaar and Vogue through to the twenty...

Dahl, Roald. James and the Giant Peach. New York: Alfred A. Knopf, 1961. Illustrated by Nancy Ekholm Burkert. First edition, second state. Octavo. In the publisher's original illustr...

One of the most desirable of all nineteenth century color plate books. RARE. Morris, Richard. Flora Conspicua; A Selection of the most ornamental flowering, hard, exotic and indig...

A scale model of the KLM "The Flying Dutchman" Douglas DC-8 by Verkuyl of the Netherlands. On original stand. Made by Matthys M Verkuyl - B...

A 1950's model of a motor boat "Rainbow" with a 2 cc engine. Well built model with good scale details, brass window frames, lights, flag poles, decking, seating, interior table, pro...

The definitive book on the legendary decorator Billy Baldwin, known as the "Dean of American Decorating," famous for his classical taste, streamlined modernism, and brilliant use of colour. In the tradition of Rizzoli’s Albert Hadley and David Hicks, this is the first fully illustrated account of the career of Billy Baldwin (1903–1983), one of the most important decorators of the twentieth century, whose work has influenced contemporary designers from Bunny Williams to Jeffrey Bilhuber. A native of Baltimore, Baldwin’s work caught the eye of eminent New York decorator Ruby Ross Wood. She invited him to join her firm, saying his work stood out "like a beacon of light in the boredom of the houses around it." Baldwin’s style was a revelation—simultaneously classical and modernist, tailored and clean, yet dramatically coloured, and above all American. An enemy of clutter and conspicuous wealth, he favoured natural materials and comfortable furniture. The drama in his rooms often came from colour, as seen in the dark brown lacquered walls of Cole Porter’s library or the scarlet cotton print that covered Diana Vreeland’s apartment. Immensely charming, Baldwin was a popular addition to the high society of New York. His clients included Bill and Deeda Blair, Babe and Bill Paley...

A resplendent memoir by the dean of decorators of his more than forty years of creating beautiful things for fascinating people. Billy Baldwin writes intimately of Greta Garbo, Cole Porter, Mary Wells...

Benchley, Peter. Jaws. Garden City: Doubleday & Company, Inc., 1974. Stated First Edition. Octavo. In original black cloth boards with silver titles to the spine, original unclipped ...

First Edition, third issue of Dr. Seuss' most famous book, accompanied by a card bearing the AUTHOR's SIGNATURE and a quick SKETCH of his famous "green egg." Seuss, Dr. (Theodor Seuss Geisel, 1904 – 1991) The Cat in the Hat New York: Random House, 1957. First edition, First Printing, Third Issue. Dust jacket. 8vo, 9 x 6 1/2" (230 x 165 mm), (2) + 61 + (1) pp; pictorial end papers, verso of free end paper blank, pictorial title page, copyright page. Binding with glazed pictorial paper cover over boards and title on spine, very light signs of wear at corners and spine ends, binding stitched at 1 inch intervals; upper cover illustrated and lettered with addition of "For beginner readers"; back cover with excerpts from reviews printed in letterpress below illustration of chalkboard reading Educators hail The Cat in the Hat. Printed in red, black, salmon, dark blue and light blue on wove paper, with bold illustrations on every spread; pages a touch yellowed on edges. On the back of the last page of text is a note on the book enclosed within a large outline in blue of Cat in the Hat. The ORIGINAL DUST WRAPPER in near fine condition, with just slight wear on corners and a chip on the bottom of the spine, reproduces the book's cover; front flap bears price on upper right corner, 195/195, indicating this is the second state of the dust jacket. Accompanied by a small drawing of a "green egg" with "Dr. Seuss" autograph in black ink with on a light green index card, 3 x 5 in. (76 x 127 mm). [Younger & Hirsch 7; Greenaway 95] Dr. Seuss was challenged by Houghton Mifflin's Education Division director, William Ellsworth Spaulding, to create a book for young children using the 225 essential words for beginning readers, a book they would not want to put down. Seuss used 223 of the words from the list, plus 13 others. Seuss tricked kids into enjoying learning with his destructive and charismatic house guest. Inspired in part by Krazy Kat and Felix the Cat, but with a wily mind all his own, the Cat in the Hat's humor and naughtiness are engaged in the noble cause of literacy. "Parents," notes biographer Brian Jay Jones, "were more than happy to join Dr. Seuss as fellow revolutionaries. Even if parents didn't necessarily understand the pedagogy, it was easy to see the difference between the staid DICK AND JANE...