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James Everett Stuart Art

American, 1852-1941
Born in Bangor, Maine, James Everett Stuart became known for his panoramic landscapes from Maine to California to Alaska to the Panama Canal, but especially of the American West with focus on Northern California and Oregon. Reportedly he painted more than 5000 paintings during his lifetime and originated a method of painting on aluminum and wood with a special adhering process that he thought made his work quite durable but proved not to be so. He also wrote on the back of most of his paintings His parents took him to California at the age of eight, and the family settled in San Francisco where he attended the public schools and studied art with Virgil Williams, Raymond Yelland, Thomas Hill, and William Keith at the San Francisco School of Design. His early work was dramatic California landscape including the Sacramento and San Joaquin rivers, and in style the works were moody and mysterious and suggestive of the French Barbizon School. He first traveled to the Northwest in 1876, and in 1881, he opened his studio in Portland, Oregon and from there traveled throughout the West and East Coast and into Mexico. Subjects included Yosemite as well as California missions and adobes. He painted landscapes whose sales ultimately were financially remunerative and which established his reputation. in 1885, he first went to Yellowstone where he camped for several weeks, supplied himself with fish for food, climbed steep cliffs including Electric Peak, and filled his sketchbook for studio paintings. The following summer, Stuart returned, having negotiated a free pass from the Northern Pacific Railroad in exchange for paintings. At the end of the summer, he went East to New York City on the return part of his train pass. Settling a studio in New York for four years, he continued to arrange several more summer railroad passes to Yellowstone. He was unable to arrange a formal arrangement for painting sales from the Park's gift shop, so he sold paintings from his tent. Of those years, he expressed that he much preferred being in the park to studio painting, but he stopped visiting in 1889 and instead traveled to Alaska and the Coastal Range. During much of the 1890s, he lived in Chicago, but in 1912 returned to San Francisco until his death in 1941. There, from his studio near Union Square, he was highly successful and popular among his peers, underscored by his membership in the Bohemian Club. Many of the owners of old homes in California have his paintings on the wall, suggestive of a time of grandeur. One of his paintings is in the White House, and his work is in the historical societies of Oregon, Washington, and Montana.
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Artist: James Everett Stuart
1909 Tonalist Oil Landscape "Showers, The Lower San Joaquin River, California"
By James Everett Stuart
Located in Soquel, CA
Early 20th Century California Tonalist Oil Landscape "Showers, The Lower San Joaquin River, California" by James Everett Stuart, 1909. This stellar tonalist oil painting by James E...
Category

Early 1900s Tonalist James Everett Stuart Art

Materials

Linen, Oil, Stretcher Bars

Early 20th Century Late Afternoon Monterey Landscape by James Everett Stuart
By James Everett Stuart
Located in Soquel, CA
Stunning plein air California landscape of Natividad (part of unincorporated Monterey Country) in late afternoon by James Everett Stuart (American, 1852-1941), 1917. Signed, dated an...
Category

1910s American Impressionist James Everett Stuart Art

Materials

Canvas, Oil

The Sacramento River, Rio Vista , California, Bohemian Club, White House, SFSD
By James Everett Stuart
Located in Santa Cruz, CA
'The Sacramento River, Rio Vista' by James Everett Stuart, 1919. California, Bohemian Club, White House, SFSD ----- Signed lower left, 'J. E. Stuart' for James Everett Stuart (Ameri...
Category

1910s Other Art Style James Everett Stuart Art

Materials

Canvas, Masonite, Oil

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James Stuart's work is in the collection of the White House, the De Young Museum, the L.A. County Museum of Art and other notable collections and hundreds of prominent private ones, and his talent is manifest in this landscape (though he was also known as a fine portraitist). What I like best about this painting is the suggestions of Modernism that inform it despite its ostensibly traditional setting. First, the unusual dominance of the dense tree line on the left, almost a solid block that intrudes upon the canvas in the foreground, with its ragged edges of young trees and vines. Then you have the serene and (am I wrong?) gently Surrealist nature of the cluster of buildings and the smooth, green block of the field before them. Compare this landscape to, say, the traditional landscapes still being painted at the end of the 19th century; or those being done by the Impressionists and Post-Impressionists. Stuart had seen all of this, and here was what resulted, his own style that combined Modernism with an unfragmented and traditional perspective. I keep going back to this strange and beautiful block of dense foliage on the left and how it couldn't have happened before certain movements in art history had occurred. As the bio information below mentions, Stuart would write detailed information about each of his paintings on the back (see photo); this one he priced at $700 -- I can't fathom how much money that would be in today's dollars. Framed and ready to hang. Proudly presented by Guy Lyman Fine Art, New Orleans, with our firm guarantee. Biographical information: Born near Bangor, Maine on March 24, 1852. He came to California with his parents in 1860 via the Isthmus of Panama. The family settled on a 200-acre ranch up the Sacramento River near Rio Vista where he attended public school. He began to paint in 1860 and had a few lessons in Sacramento from local artist David H. Woods. In the 1870s he began a five-year study course at the San Francisco School of Design under Virgil Williams and Raymond Yelland while studying privately with portrait painter Benoni Irwin. He then had studios in Portland, Oregon (1881), New York City (1886), Tacoma, Washington (1890) and in 1891 established a studio in Chicago where he was based for twenty years. A lifelong bachelor, he traveled throughout the Northwest, Mexico, and made three trips to Alaska. By the turn of the century, he was a nationally famous painter and was highly successful in merchandising his own work. He had the unique habit of listing on the back of his canvases the price, number, date, and geographical location of the scenes depicted. He painted over 5,000 paintings, mostly landscapes; however, he was an excellent portraitist and also did a series of mission paintings. He also invented a process for painting on aluminum which he considered indestructible. Upon returning to San Francisco in 1912, Stuart established a studio on Union Square and remained in San Francisco until his death on January 2, 1941. Member: San Francisco Art Association; National Arts Club; Society of Independent Artists; Bohemian Club; American Artists Professional League; Portland Art Club. Exhibited: American Art Society, Philadelphia, 1902 (bronze medal); San Francisco Art Association, 1916-18. Works held: Oakland Museum; White House (Washington, DC); De Young Museum; Bancroft Library (University of California at Berkeley); Southwest Museum (Los Angeles); California Historical Society; Crocker Museum (Sacramento); California State Library; Montana Historical Society; Washington State Historical Society; Witt Art Library (London); Kalamazoo (MI) Art Assn.; Michigan State Library; Oregon Historical Society; Omaha Public Library; Los Angeles County Museum of Art In addition, his works are held in other important museums and private collections of California art and are sold at major auctions and galleries. Morgan Hill...
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James Everett Stuart art for sale on 1stDibs.

Find a wide variety of authentic James Everett Stuart available for sale on 1stDibs. You can also browse by medium to find art by James Everett Stuart in canvas, fabric, oil paint and more. Much of the original work by this artist or collective was created during the 1910s and is mostly associated with the Impressionist style. Not every interior allows for large James Everett Stuart, so small editions measuring 22 inches across are available. Customers who are interested in this artist might also find the work of Antonio Cirino, Charles Henry Miller, and Robert Hallowell. James Everett Stuart prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $3,150 and tops out at $3,150, while the average work can sell for $3,150.

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