James Oliver Figurative Drawings and Watercolors

An original mixed media drawing by American artist A.J. Fries.

These drawings move beyond mere depiction of plants to capture their energy, rhythm, and transformation—qualities central to Alaoui’s meditation on the cycles of nature and perceptio...

Four pencil drawings, each with hand coloring in watercolor, each 6 3/4 x 10 inches (sheet) (172 x 254 mm), full margins. Each with inscriptions and notations by the artist in the up...

This work is unique. Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visua...

This striking colored pencil drawing by David Morrison showcases his unrivaled mastery of the medium. Rendered with extraordinary precision, this larger-than-life section of pomegran...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

Jeff Koons Original Flower Drawing (signed twice), 2016 Original, hand signed drawing inscribed to Nadine, done with silver sharpie, and held in hardback monograph with dust jacket, ...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

Mimosas by Yvon Pissarro (b. 1937) Graphite on paper 65 x 50 cm (25 ⅝ x 19 ⅝ inches) Signed and dated lower left Yvon Vey 2002 Provenance Studio of the artist, Montpellier Artist b...

Graphite, ink wash and watercolor on handmade laid paper with a large, indistinguishable ovoid watermark with a bunch of grapes, 8 7/16 x 12 5/8 inches (225 x 320 mm), signed in brown ink in the lower left. With the Henry Scipio Reitlinger oval stamp in brown ink on the verso (Lugt 2274a). The condition of the image and paper is consistent with age, there is minor toning on the recto and some attenuation of the green pigment. The drawing is laid down to an 18th century laid paper support and has a small pencil notation in the lower right corner (modern), and scattered notations in pencil on the verso of the support (also modern, perhaps auction/accession notes). On the paper support is an ink drawing in red and black of what appears to be the floor plan for the wing of a large building. The drawing is top-up, adhered facing the verso of the drawing. The architectural drawing on the support is visible through to the recto of the composition when the sheets are viewed through raking light. There is a small area of stipple point spotting in brown ink on the verso of the support. Examination under black light shows no indication of repairs or additions, expert or otherwise. Provenance: Henry Scipio Reitlinger was born in either 1882 or 1885, attended Kings College...

(Photographed behind the glass of the frame, so please pardon reflections.) As you can see from the receipt, this fine drawing was originally purchased for $3,500 on Julia Row in New Orleans. A New Orleans legend, Franklin Adams moved to the city in 1958 to teach painting and drawing at Newcomb College. Over the following years, he applied his wide-ranging talents to architecture, set design, logo design and other diverse projects. He was good friends with Mignon Faget...

Margot Glass's graphite drawing on black heavyweight paper transforms delicate dandelions into luminous, ghost-like forms. Each fine line is meticulously drawn, creating a richly det...