Jazzu Contemporary Art

Abstract mixed media painting on panel titled "Pacific #2" by Margaret Ash, circa 1950s. Retains label from Esther Bear Gallery in Santa Barbara, California.

Modern abstract, mixed-media on White Aluminum painting; titled “The Island of Souls” by Maria Astadjov, a conceptual fine artist. Signed on front botto...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

Modulation or, Reda Amalou, 2019 Silkscreen print with 2 colors on Arches vellum rag paper, 400g (Gold ink and dark blue ink) 1st Edition. Limited edition, numbered and hand signed...

Modern abstract, oil on canvas painting, titled “Summertime III” by Michelle Hénault, a conceptual Fine artist. Signed on front bottom right, also, signed, dated and titled on back; measuring approximate 30" H x 36" W x 1.5” D. Gallery wrapped, finished sides, dated circa 2019. Michelle Hénault is a Conceptual Fine Artist, born in Lachute, Quebec, living and working in Montreal since 1991. She completed a Bachelor degree in Fine Arts at UQAM in 1998. After exploring sculpture and photography, she dedicated herself to oil painting. She has exhibited in numerous solo and group shows over the last fifteen years. In 2010, she moved to Scotland with her partner for two years. Since returning to Montreal, she has devoted her time to oil painting and her work has flourished. Inspired by her many travels, her work explores landscapes as a contemplative territory. The desire to revisit past voyages through painting and to recapture the sentiments she experienced in various places was her primary motivation for producing these landscapes. "For the last fifteen years I have explored the reconstruction of landscapes in my painting. My practice is concerned with our relation to land as the memory of place. A land can be occupied, shared, transformed and dreamed, idealized. The land, as homeland or an idyllic land to travel to, where the memory is presupposed. Through my art, I explore that memory of travel, the journeys I made and the ones I dreamed. When contemplating a landscape and experiencing the change of light or atmosphere we realize the passage of time. As explorers from bygone eras, seeking unknown lands, my work proposes a return to the essential…that the French call ‘le bapteme de la solitude’. It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here, in this wholly mineral landscape lighted by stars like flares, even memory disappears; nothing is left but your own breathing and the sound of your heat beating. A strange, and by no means pleasant, process of reintegration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one...

Modern abstract, oil on canvas painting, titled “Summertime III” by Michelle Hénault, a conceptual fine artist. Signed on front bottom right, also, signed, dated and titled on back; measuring approximate 30" H x 36" W x 1.5” D. Gallery wrapped, finished sides, dated circa 2019. Michelle Hénault is a Conceptual Fine Artist, born in Lachute, Quebec, living and working in Montreal since 1991. She completed a Bachelor degree in Fine Arts at UQAM in 1998. After exploring sculpture and photography, she dedicated herself to oil painting. She has exhibited in numerous solo and group shows over the last fifteen years. In 2010, she moved to Scotland with her partner for two years. Since returning to Montreal, she has devoted her time to oil painting and her work has flourished. Inspired by her many travels, her work explores landscapes as a contemplative territory. The desire to revisit past voyages through painting and to recapture the sentiments she experienced in various places was her primary motivation for producing these landscapes. "For the last fifteen years I have explored the reconstruction of landscapes in my painting. My practice is concerned with our relation to land as the memory of place. A land can be occupied, shared, transformed and dreamed, idealized. The land, as homeland or an idyllic land to travel to, where the memory is presupposed. Through my art, I explore that memory of travel, the journeys I made and the ones I dreamed. When contemplating a landscape and experiencing the change of light or atmosphere we realize the passage of time. As explorers from bygone eras, seeking unknown lands, my work proposes a return to the essential…that the French call ‘le bapteme de la solitude’. It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here, in this wholly mineral landscape lighted by stars like flares, even memory disappears; nothing is left but your own breathing and the sound of your heat beating. A strange, and by no means pleasant, process of reintegration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one...

Layers of paper and paint make this artwork stand out on it's own. Unsigned.

Modernités Sotheby’s Paris Wed 16 Oct - Wed 16 Oct 2019. Sotheby's Paris. 1st Ed auction catalog. One of the best works in Sotheby’s Modernités catalogue on 16 October was one of Fra...

Rita Alaoui seeks to explore and rethink our relationship with the wild world and to imagine connections with the extraordinary. Fascinated by the power of nature and concerned about...

The Glass House, June 8, 2019 Archival Hahnemuhle Baryta Satin 300gsm Epson Ultrachrome k3 ink Measures: 24 x 19 inches, image size 20 x 11 inches E...

Sweden, 1980's. Mixed media. Measurements: H: 82 cm / 2' 8" L: 49 cm / 19 1/3’’ W: 10 cm / 3 1/6’’. Born in Uppsala, Sweden, Hagberg became heavily influenced by Eastern calligraphy throughout his life – and developed a spontaneous sign painting style with a strong concentration on a select amount of characters rooted in Zen Buddhism...

Large-scale abstract painting, American, circa 1960s. It measures an impressive 50.25" height x 42" width. This piece is currently unframed. If you prefer a black gallery frame (as s...