Jean Dubuffet More Art

Offset lithograph in colors on smooth wove paper. Hand signed lower right by Takashi Murakami. Hand numbered 817/1000 lower right. Hand signed by Fujiko F Fujio (creator of Doraem...

In the artist's abstract print series, Cosmos, 2023 by a.muse represents an imaginary cosmos - the universe as a place of longing, dreams, wonder, and ethereal beauty. A 13.75" x 11"...

Damien Hirst Cornucopia, 2010 Limited edition hardback monograph (hand signed by Damien Hirst) Hand signed in ink by Damien Hirst on the first front end page 12 1/2 × 9 3/4 × 3/4 inches This limited edition illustrated hardback monograph, with no dust jacket, exactly as issued, was published on the occasion of the artist's show at Musee Oceanographique de Monaco in April 2010, 'Cornucopia' celebrates Hirst's paintings and sculptures from 1994-2009." This book was gifted by Damien Hirst to a member of an American Rock & Roll band that Hirst befriended. Stated Limited Edition of 2000 (unnumbered) About the book: Publisher: Musée Océanographique de Monaco, 2010 Text: English / French. 160 pgs with color illustrations Limited Edition: 2000 (the regular edition is not signed; this was exceptionally hand signed by Hirst) About Damien Hirst: People are afraid of change, so you create a kind of belief for them through repetition. It’s like breathing. I’ve always been drawn to series and pairs. A unique thing is quite a frightening object. —Damien Hirst Since emerging onto the international art scene in the late 1980s, Damien Hirst has created installations, sculptures, paintings, and drawings that examine the complex relationships between art and beauty, religion and science, and life and death. From serialized paintings of multicolored spots to animal specimens...

Larry Clark The Smell of Us, 2015 Limited Edition softcover book printed on heavy paper stock in oblong binding (Edition: 250) 5 1/2 × 8 inches This first edition book by Larry Clark...

80 x 60 cm Off-set lithography Printed on 200g Munken Lynx paper Narayana Press in Denmark David Shrigley is a British visual artist known for his distinctive, whimsical, and often ...

Robert Longo, Men in the Cities (Rick) , 1984 - unique artist-certified photographic document, 1992 Vintage photographic print on Kodak paper, with unique artist inscription and cert...

Art print on heavy paper. After the original from 1977. A beautiful artwork that looks good in every room and especially in the living room or bedroom. Can be framed accordingly. ...

"No. 3080" Miniature Collage Currency by Michael Pauker Miniature abstract paper collage by Bay Area artist Michael Pauker (American, b. 1957). This pie...

Nan Goldin Lydia Lunch at the Russian Baths, 268 East 10th Street, 1985 poster, 2018 Offset lithograph poster (unsigned, unnumbered and unframed) 17 × 22 inches Published by The Kitchen in 2018, on the occasion of their Gala honoring Nan Goldin and Lydia Lunch Provenance Acquired from The Kitchen on the occasion of their 2018 Gala Also accompanied by Certificate of Guarantee from Alpha 137 Gallery Excerpt from The Kitchen description of this event: “During the late ‘80s and early ‘90s, icons Goldin and Lunch were vanguards of post-punk New York. Both women have presented their work at The Kitchen throughout the years, consistently returning to premiere new works that went on to exemplify their careers. Goldin’s portraiture of her close-knit circle of friends in New York became emblematic of her generation’s grappling with the social issues of the time, from the epidemic of drug addiction to the AIDS crisis. Lunch is revered as a radical progenitor of No Wave music, fronting the influential Teenage Jesus and the Jerks and collaborating with acts like JG Thirlwell, Birthday Party, and Sonic Youth. Lunch has a broad artistic practice, also working in film, visual art, writing, and spoken-word. Goldin and Lunch have also collaborated on numerous occasions. For instance, the cover of Lunch’s 1995 album Drowning In Limbo featured a portrait of her taken by Goldin. Lunch also posed for Goldin’s project for The Village Voice’s short-lived fashion insert Vue in 1985. Shot as part of an editorial called “Masculine/Feminine,” the image of a reclining Lunch at Russian baths in the East Village was ultimately not included in the final layout, and we were pleased to be present the image for the first time as a limited-edition print in support of The Kitchen. At The Kitchen in November 1980, Goldin presented slides as part of Dubbed in Glamour, a three-day event of “spectacle and extravagance” organized by Edit deAk that featured primarily women artists. Introduced by Cookie Mueller, who served as the master of ceremonies, these slides were an early version of Goldin’s landmark work The Ballad of Sexual Dependency, which continued to take shape during the next few years. The Bush Tetras, who performed at this year’s gala, also participated in Dubbed in Glamour. In 1994, Goldin returned to The Kitchen to premiere three slideshows for the first time in the United States as part of the winter lecture series curated by Ira Silverberg. The first slideshow developed from her 1992 award-winning book The Other Side, which lauded the drag queens she lived with and among in New York. During the ‘70s, when Goldin first moved to the city, the people she lived with became not just her subjects, but also her chosen family. The second slideshow was a series of intimate self-portraits. The evening concluded with a collection of Goldin’s images that traced her relationships to her close friends Alf Bold, Gilles Dusein, and Cookie Mueller and celebrated the joy of their lives and the pain of their deaths from AIDS. In 1985, Lunch first appeared at The Kitchen as part of the two-night screening series of experimental short films, Super 8 Motel. She and Richard Kern...

Tracey Emin You Left Me Breathing (Hand signed and inscribed with a hand drawn heart flourish by Tracey Emin), 2008 Hardback monograph with no dust jacket as issued (Hand signed and ...

Consigned to the gallery, Pasadena, California; From a private collector, Encino, California, by descent; Acquired in 1997 by a private collector, Palo Alto, California; From Sean's Antiques, San Francisco, California. Signed "L.P. Latimer" on lower right Description This intimate watercolor captures Fallen Leaf Lake, a serene alpine lake in El Dorado County, California, situated just south of Lake Tahoe—an area celebrated each autumn for the Kokanee Salmon trail runs. Latimer invites the viewer onto a rocky slope, framed by stately evergreens, guiding the gaze across the lake’s glassy blue surface toward the snow-capped Sierra Nevada peaks beyond. His delicate washes and masterful color transitions—pale rose and gold in the drifting clouds, soft greens in the foliage, and muted blue-grays in the distant mountains—reflect his refined command of the watercolor medium. The composition conveys the quietude of early morning or late afternoon light in the high country, capturing a timeless sense of place that has long inspired artists of the Lake Tahoe region. Historical Significance Lorenzo Palmer Latimer (1857–1941) was a foundational figure in early 20th-century California plein air painting, especially known for his evocative watercolors of Lake Tahoe, the Sierra Nevada, and Northern California landscapes. He taught at the San Francisco Mechanics’ Institute and later founded the Latimer Art Club in Reno (1921), shaping an entire generation of regional artists. His deep connection to Fallen Leaf Lake is well-documented—he first painted there in 1914 and led annual summer workshops at the site, drawn by its pristine beauty and the opportunity to work directly from nature. Today, Latimer’s mastery is celebrated in the beautifully illustrated book The Latimer School: Lorenzo Latimer...

Jean-Michel Basquiat Lounge Lizards 1979:
 Impossibly rare original hand-drafted flyer by Basquiat for a performance by his close friend, John Lurie & t...