Jessie Morgan Abstract Paintings

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the physicality of his body. Moving is an expression, just as is the color. The paintings are actual authentic gestures. Once completed, they look like relief on the wall. The artist is represented by galleries in Europe, the US and Australia. Additionally, his work is in the permanent collections of the Crocker Art Museum in Sacramento, CA; the Amon Carter Museum of American Art in Fort Worth, TX; the Newcomb Art Museum at Tulane University in New Orleans, LA; the FWMoA, Fort Wayne, IN and the Lamborghini Museum in Bologna, Italy. In 2015 Martiny received a commission from the Durst Organization to create two monumental paintings that are permanently installed in the lobby of One World Trade Center in New York City. His work is in numerous collections, including: Graham Gund Family Foundation (Cambridge, MA); Patrick Duffy (Chairman, Las Vegas Art...

"Laying a Field" was inspired by constellations and fractals. I was also experimenting in mold making using a type of vacuum molds. The lines you see are slightly raised above the ...

To create the highly palpable textures, Martiny mixes polymers and pigments until he reaches a desirable viscosity and applies the mixture to sheets of aluminum. He once described hi...

Contemporary big scale oil on canvas abstract painting by Polish artist Klaudia Lata. This piece is mostly in black with emerald. Painting has abstract shape that resemble biomorphic...

4 drawings Posca on paper Canson 250gr. each drawing is Size A4 Hand-made painting from the imagination. Original and unique work.

Sailboats Abstract French cubist artist, circa 1950's oil on board, unframed board: 33 x 48 inches provenance: private collection, France condition: all four corners are worn but sho...

White frame Included. In this expressive piece, I've unleashed my passion through vibrant splatters, embodying the dynamic clash between tranquility and chaos. The turquoise blue, ac...

Meryl Watts. English ( b.1910 – d.1992 ) Enigma. Oil On Board. Signed Lower Right. Image size 22.4 inches x 19.3 inches ( 57cm x 49cm ). Frame size 26.4 inches x 22.8 inches ( 67cm x 58cm ). Available for sale; this original oil painting is by Meryl Watts and dates from the mid-1960s. The painting is presented and supplied in its’ original hand painted frame (which is shown in these photographs). This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting was created whilst Watts resided at 1 Bron Avon, Borth-y-Gest, Porthmadog. (Today’s postcode would be LL49 9TU). The painting is signed lower right. Meryl Watts was born on the 5th April 1910, the only child of Charles and Evelin Watts. They lived in Germains Place, Blackheath and she was raised in east end of London where her father was a printer. She studied at the Blackheath Art School, where the Principal was John Edgar Platt, one of the major artists using the technique of color woodcut. She learned this technique from Platt and was influenced by his style, as shown in the attractive and colorful designs that she subsequently produced. Meryl began to work independently in 1937, producing her own work while still living in Blackheath. During World War II the family home and business were destroyed by German bombing and Meryl and her parents were given just a few hours to collect whatever valuables they could before their house was demolished to protect neighboroughing properties from further damage. As a consequence much of her early work was lost. Having left their home the family evacuated to Portmeirion in Wales, where they had frequently stayed on holiday before the war. They struck up a friendship with the Portmeirion architect and founder, Sir Clough William-Ellis. Portmeirion was founded in 1925 and took nearly fifty years to complete. It was a homage to Sir William-Ellis’ love of the Italian Riviera and incorporated the grounds of a twelfth century castle. The resort became extremely popular with tourists and was the backdrop for various TV programs and films, including The Prisoner. Meryl Watts became artist in residence at Portmeirion, and over the next few years she produced an abundance of artwork including sketches, oil paintings and watercolors of famous scenes from the Snowdonia coastal region and other traditional landmarks. This was a new and very successful chapter of her artistic career. From Portmeirion Meryl and her parents moved to a rented house in Borth-Y-Gest, Caernarvonshire, North Wales. In 1944 Meryl’s father purchased the house and Meryl began to work there, using the endless views in the area for her inspiration. After the death of her father in 1957 and her mother in 1969 Meryl lived alone in Borth-y-Gest until she married Professor Joseph Allen...

"Abstraction" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 – 1974) Abstraction 6 3/4 x 8 3/4 inches Estate stamp verso Oil on panel Provenance: Estat...

Tree with Red, Pink, White & Blue Abstract Forest Background by British Landscape Artist, Angela Wakefield. From the 'Spring Burst' Interior Design Series. Framed in a high quality c...

### Technical Sheet: Title: Rouge de Fond Artist: Javier Vilató (1921–2000) Technique: Oil on canvas Canvas dimensions: 25.6 x 21.3 inches Framed dimensions: 26.8 x 22.4 inc...