John Collingham Moore Art

Vogue USA, Fashion Illustration. Meticulously drawn in a descriptive and yet creative way. Antonio's full mastery of his art is on full display. Signed lower right. The work is arch...

"I Saw You in My Dreams" (2023) by Bunyod Suvonov is original handmade drawing made with charcoal and graphite on toned paper. This piece depicts a portrait of a woman with long blac...

This large Bemelans features a small image of Madeline in the smoke behind the chef's face. It was most likely preliminary work for an illustration with Madeline and the Chef that a...

Bright Lashes / Head Study No. 93, drawing / painting featuring the head portrait of a young woman. in monochromatic grey, brown and white. The work is created with mixed media on ar...

Fashion Illustration for High Fashion Magazine . Impeccably rendered with quick flat brush strokes in glorious pastel colors , Signed lower right Ant...

"Storytime" (2023) by Allen Williams is an original graphite drawing on Strathmore medium weight drawing paper that depicts a young girl reading a book ...

One of the characters in this scene is a mature man, kneeling with his head bowed and hands clasped near his chest in a gesture of supplication. His posture conveys a sense of humili...

James Van Fossan's "Back At The Stables (II)" (2024) is an original handmade charcoal and graphite drawing on paper that depicts a cowboy about to lean against a sawhorse. James Va...

Jules-Eugène Lenepveu (1819-1898) Portrait of a man in profile signed on the lower right Pencil and heightenings of white gouache on paper 19.5 x 13 cm Framed : 29 x 22.7 cm Jules-Eugène Lenepveu is of course particularly well known for his large-scale paintings, such as the one on the ceiling of the Paris Opera, but his work here is much more delicate and intimate. We recognise the artist's mastery of talent, but the play of textures, with its highlights of white that enliven and illuminate the model's face, is also very subtle. There's a particularly charming sense of life and impression of light. Jules-Eugène Lenepveu was born in Angers on 12 December 1819, on the site of the street that now bears his name, into a family of small shopkeepers. The painter showed a deep attachment to his family throughout his life through his correspondence and the many portraits of his relatives. He entered the drawing school in Angers in 1833, where he was a pupil of Jean-Michel Mercier. There he rubbed shoulders with the sculptor Ferdinand Taluet. He arrived in Paris in 1837 and entered the Beaux-Arts, where he was officially admitted to François-Édouard Picot's studio in 1838. He exhibited his work "L'Idylle" at the Salon of 1843 and, that same year, left for his first visit to Italy. He was awarded the Second Prix de Rome in 1843 for "Cincinnatus recevant les députés du Sénat" (Cincinnatus receiving the deputies of the Senate), then the First Prize in 1847 for "La Mort de Vitellius" (The Death of Vitellius). A resident at the Villa Médicis from 1848, he was surrounded by painters Alexandre Cabanel, Léon Benouville, Gustave Boulanger, Félix Barrias...

French school circa 1880 Portrait of a boy holding a book graphite and white gouache on paper 39.5 x 32 cm oval view in good condition, slightly yellowed with age In its original ova...

James Van Fossan's "Back At The Stables (II)" (2024) is an original handmade charcoal and graphite drawing on paper that depicts a cowboy leaning against a sawhorse in a moment of re...

Big Baloo / Head Study No. 86 , drawing / painting featuring the head portrait of a young woman. in blue, pink, gold and white. The work is created with mixed media on Bristol paper,...