John Henry Hill Art

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.5 x 17 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper...

Rare 19th Century Watercolor and Platinotype -- Coming Home Wonderful and rare 19th Century watercolor and platinotype (Watercolor over Platinum photograph) attributed to Edward Lamson Henry...

This stunning, original signed landscape watercolor on paper painting by Charles Partridge Adams (1858-1942) captures the breathtaking beauty of a Colorado sunset along the Front Ran...

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

‘Diana Nemorensis’ by Max Nonnenbruch (1857-1922). The painting – which depicts the Roman Goddess Diana of the Woods beside Lake Nemi – is signed by the artist and presented in a fin...

Woodland Interior Oil on canvas 21 7/8 x 14 3/4 inches (55.6 x 37.5 cm) Framed dimensions: 32 7/8 x 26 inches Signed lower left: Wm. T. Richards Provenance The artist; James Bayard ...

Whitehall Building, July 1939 - Harbor Seascape with Tugboat in Watercolor Detailed harbor landscape by Ernest Clegg (British, 1876-1954). The Whitehall Building towers over the sce...

Original watercolor, gouache and conte landscape by the well known American artist, Karl Knaths. Circa 1950. Signed by the artist lower left. Condition is excellent. Strong, vibran...

Idyllic Watercolor Landscape original watercolour painting on artist paper signed by Marjorie Schiele (1913-2008) *see notes below piece of paper is 9.5 x 12 inches In good condition...

Antique American watercolor painting, landscape harvest farm scene by Frank F. English (1854 - 1922), Bucks County, Pennsylvania, Circa 1900. A very attractive painting by the celebrated Pennsylvania artist Frank F. English, the location is in Point Pleasant, Bucks County, Pennsylvania. The painting depicts a scene of blue skies with two farmers tossing hay with pitchforks & two horses harnessed to a hay wagon, with barns to the background. The painting signed lower right " Frank F. English", condition is excellent this very charming painting is ready to hang on your wall. Biography Frank F. English was born in Louisville Kentucky in 1854. In the early 1880s, he studied for five years in the evening classes of the Pennsylvania Academy of the Fine Arts. His instructors included Thomas Eakins, James P. Kelly and Thomas Anshutz. However, English's reputation primarily rests with his outstanding facility as a watercolorist; most of his known paintings are executed in this medium. English's propensity for its use coincides, appropriately enough, with the watercolor's growing popularity among other American painters. The American Water Color Society brought the medium special prominence by the late 1860s, and acceptance on the level of oil painting in 1876. That same year, the society was invited to display its works at the Philadelphia Centennial Exposition. Its members exhibited 116 watercolors, and their public exposure was enormous. It is safe to assume that during the 159-day Centennial, Frank English was among the nearly 10 million exposition attendees, surpassing attendance records at all preceding world's fairs. At age twenty-two, English, traveled to Philadelphia to see works by the Society's notables such as Samuel Colman, R. Swain Gifford, Louis Comfort Tiffany, Albert Fitch...

Original illustration artwork composed of watercolor and gouache on archival paper by unknown artist for the Manville Card Company. Dated verso 1...

WALTER JAMES, 3rd BARON NORTHBOURNE (1869-1932) Cheviot Ewes and Lambs on the Moor in Early June Signed and dated l.l. WALTER JAMES 1920; signed, inscribed with title and the artis...