John Hoyland Art

"Superficie 324" is a 1988 screen print (serigraph) of a 1959 painting by Capogrossi. This is one of his famous "comb" or "fork" works that he perfected in the 1950s and continued to create for the remainder of his life. The blocks of primary red and yellow colors give a bright, joyful feel and contrast to the strong bold black that was Capogrossi's consistent color for the "combs". With no allegorical, psychological, or symbolic meanings, these structural elements could be assembled and connected in countless variations. Intricate and insistent, Capogrossi's signs determined the construction of the pictorial surface. This piece is identified along one side: Giuseppe Capogrossi By SIAE 1988 Silvio Zamorani Editor Via Saccarelli, 9 10144 Torino Italy Tel. (39)(11) 4730554 Progetto Grafico (Graphic Project): Studio Walter Benjamin. Serigrafia (Screen Print): BISI Torino. Capogrossi was born in Rome. After obtaining a degree in law in 1923–1924, he decided to study painting with Felice Carena at Accademia di Belle Arti di Roma. In 1927 Capogrossi embarked on a formative trip to Paris together with fellow artists and acquaintances Fausto Pirandello, Corrado Cagli and Emanuele Cavalli...

Pair of John Gould hand colored framed lithographs family of toucans. "Pteroglossus Inscriptus" and " Pteroglossus Hypoglaurus" Each signed in plate. Printed by Charles Hullmandell. ...

This abstract painting by Sofie Swann features a warm, bright orange palette with varying sizes of circular shapes layered over a imperfect white and gold vertical lines. This painti...

Otono Floral, 1995 Hand-painted, 15-color screenprint with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 signed in pencil and stamped on verso "Sexual Spring-like Win...

18/19th Century Russian icon of St. John (Angel of the Desert); shown holding a kind of salver, and in it — if we see it up close — is depict...

Artist: Josef Albers (German-American, 1888-1976) Title: "JHM - II" Portfolio: Josef Albers Honors the Hirshhorn Museum and Sculpture Garden *Monogram signed and dated by Albers in p...

Theodoros Stamos’s 'Untitled' (1977) pair of screenprints is a powerful example of his mature abstract language, created during a period when he had fully developed his distinctive f...

George Dannatt (1915-2009) Fanfare, 1983 Screenprint Image measures: 27.5 x 23.0 cm Paper size: 62.0 x 49.5 cm Editions available Mint condition: 22/120, 27/120, 94/120, 95/120, 10...

Willem de Kooning (1904-1997) was one of the torchbearers of post-war American abstraction and one of the most important artists of the 20th century. With a career spanning nearly ...

untitled (orange) screenprint, embossment, and dye resist 1976 number 3 from an edition of 25

Oil on canvas, initialed "H.W." or "N.W." and dated "1894" bottom right, with a "Winsor & Newton, Limited, 38 Rathbone Place, London," stamp en verso, presented in a gilt frame.

Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper, 1994, signed, dated, titled, and numbered 10/40 (each unique) in black and silver i...