John Postle Heseltine Prints and Multiples

In No Thru Traffic, master printmaker Art Werger offers a striking aerial view of an archetypal suburban neighborhood, rendered with his characteristic precision and subtle wit. Curv...

This artwork titled "The Jury" c.1980 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed and inscribed H.C (Hors Comm...

This artwork titled "Kimi Fuji" c.1975 in an original color aquatint by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed in pencil by the artist. The image (plat...

Dynamic French abstract etching in black and grey by artist Julia Lan, circa 1980. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat f...

This artwork "Street with Church" c.1925 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower center. The p...

Boyer, Ralph L. (American, 1879-1952). CENTRE HARBOR, N.H. Etching, not dated. Number 12 of the edition of 60. Signed in pencil and inscribed "imp rlb" just below the image. Further inscribed in the lower margin with the Title, the edition size and number, and the artist's name and "Westport, Conn." where he lived and worked. 9 7/8 x 7 3/4 inches (plate), 13 x 10 1/2 inches (sheet). Tape residue at the upper corners, else in very good condition. Boyer was well known as a sporting artist. Derrydale...

The Vulture is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...

Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...

This original early 20th-century color aquatint etching by celebrated American printmaker George Elbert Burr (1859–1939) captures the majestic beauty of Longs Peak and Mount Meeker a...

Maitre E.S., After by Amand Durand, German (1420 - 1468) - La Patene, Year: circa 1878, Medium: Heliogravure, Size: 8 x 7.5 in. (20.32 x 19.05 cm), Printer: Amand Durand, Descripti...

Autumn by American artist Stephen McMillan presents a sweeping view of the vineyards of Sonoma County at the height of the fall season. The composition unfolds across a broad panoram...

Signed edition 74/ 99 Line engraving in Arches paper Image size 19 x 11 1/in Paper size 26 x 19 1/2 in. Matted 29.5 x 21 Inches