Jozef Wilkon Drawings and Watercolor Paintings

"Fawn" is an original ink, colored pencil, and gouache on paper artwork by Henry Hablak measuring 30"h x 22"w. Henry Hablak is a tattoo artist and illustrator based out of Philadel...

Signed lower left, 'George H Harrington' (American, 1833-1911) and painted circa 1900. Born in Springfield, Massachusetts, George Harrington is recognized for his turn-of-the-centur...

"Liber Mystia XLIII" is an original artwork by Henry Hablak made of gouache, ink, and colored pencil on paper measuring 16.25"h x 12.25"w framed and 14"h x 11"w unframed. Henry Habl...

'Landscape with Man and Goats', gouache on paper, by Raymond Guerrier (circa 1960s). After the artist moved from Paris to the South of France, he started painting landscapes illumina...

Signed lower right, “Ch. Henrida” for Charles Henrida (French, 1854-1924) and painted circa 1900. Unframed and displayed in a beveled, ivory mat with gilt inner slip. Matted dimens...

This charming mid-19th-century European watercolour depicts a young lady riding a grey mare before a view of Berg Perchtoldsdorf, Austria. During the 19th century, aristocratic wome...

Robert Konersman (American, 1889 - 1975) Signed: Konersman (Lower, Left) " Reading Before Bed " c. 1900-1920 Watercolor and Gouache on Paper Laid on Illustration Board Image Size...

Voluptuous, ala Fernando Botero, female circus performer with spectators and cat. Haya Ran was born in Holon, Israel in 1948 on the same date as the State of Israel was founded. From 1968 to 1973 Ran lived on Kibbutz Sasa. After her stay on the Kibbutz, she took courses on Graphics at The Technion 1975-1978. Tel Hai Institute Ran paints with water colors, using a multilayer method, which creates an illusion of tempera. Ran came up with this technique herself, influenced medieval painters. Ran says that the reds, browns, and golds in most of her feminist works are inspired by the performing arts: the circus, clowns, acrobats, dancers, and the fantastic. Haya Ran doesn’t identify today with any particular artistic school. Her works are born out of personal experiences and feelings. They come from the remembrances of her past, of her life and her experiences as a child, and from the fantasies she entertains about them. Her subjects emanate from her private, inner world. Haya Ran focuses on the world of the female. Her women are a peculiar lot. Their dimensions are offer wide, distorted, and grotesque, yet their poses and settings are as enticing and charming as they are sexually arousing. Others of Haya Ran’s women remain attached to elements of a lost childish innocence; dolls, wooden horses, masks, and wooden birds. Her works are executed with watercolors on paper. Her technique resembles that of Renaissance tempera. She superimposes strata and blends them together to create the impression of a past era. She creates not by putting down on paper her sudden impulses, but by devoting painstaking attention to the smallest details over countless hours. Selected Solo Exhibitions “Izraeliyot” / Dwek Gallery, Adenauer Conference Center, Mishkenot Sha’ananim, “Plowing” / Gerstein Gallery, Tel Aviv. Curated by Ora Krauss. “Suricattas” / Seemann Contemporary Art Gallery, Tel Aviv. Curated by Hagai Segev. “Encrypting” / The Israeli Artists Gallery, Kabri. Curated by Drora Dekel. Tokyo, Japan Museum of Art “O” “Calligraphy” / HaGalleria, Moshav Shoevah. Curated by Tirtzah Yallon Kolton. ESPACE RACHI, Paris, France. Curated by Hana Landau. Brucke Gallery, Braunschweig, Germany Gallery Vandorn, Paris, France Goldman Gallery, Haifa, Israel Grafica 3 Gallery, Haifa, Israel Select Group Exhibitions: Group Exhibitions The Second Biennale for Israeli Ceramics Eretz Israel Museum, Ramat Aviv, Tel Aviv Stern Gallery, Tel Aviv Artists:Reuven Rubin, Chaya Graetz Ran, Dorit Feldman, Anna Ticho, Abraham Hadad. Israeli Portrait Wilfrid Israel Museum, Oriental Art and Studies, Kibbutz Hazorea Artists: Shoshana Heimann,Genia Berger, Avraham Ofek, Jean David, Jakob Steinhardt, David Sharir, Ruth Schloss Ruth Zarfati Rudi Lehmann and others With this Ring - Wedding Ceremonies in Contemporary Art Beit Hatfutsot, Tel Aviv Artists: Nelly Agassi, Lital Dotan, Shai Azoulay, Avraham Baron Gallery, Beer Sheva Artists: Miki Kratsman, Adi Nes...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and presumptions of human control are upended. The text-like marks on white vertical rectangles are deliberate, but indecipherable. They appear as if a poem, written in an ancient language, that honors this eternal cycle of destruction and regeneration. Winifred McNeill...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and presumptions of human control are upended. The text-like marks on white vertical rectangles are deliberate, but indecipherable. They appear as if a poem, written in an ancient language, that honors this eternal cycle of destruction and regeneration. Winifred McNeill...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...