Juan Jose Abella Rubio Landscape Paintings

American artist Hellier (20th Century) designed this stunning post-cubist constructivist oil on canvas painting. The artwork "Ste Augustine" uses earth tones juxtaposed with green to...

Nicely painted mid century impressionist oil painting by Kamil Kubik (1930 - 2011). Oil on board. Housed in a nice giltwood impressionist frame. Signed.

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Mid-Century cubist oil and acrylic futuristic cityscape on canvas. Signed bottom right, artist unknown. Highly colourful and well-composed interpretation of a cityscape of the futur...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his portraits in village landscapes with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. Art measures 25.5 x 21.25 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century, it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. For the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher, he encouraged individual expression. Baxte stated, “No pupil should ever be forced into the imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient's light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

Vintage French modernist South France landscape oil painting from the cirlce of Andre LHote. Apparently unsigned. Very finely painted. Oil on canvas, lain to board. Framed. Measu...

A beautiful signed and dated 1977 Italian cubist oil painting depicting snow covered roofs in a city. Striking and excellent quality work in bright and vibrant colours. Excellent c...

Rare early American modernist cubist abstract by Anita F. Plumb. Framed. Pastel and gouache on paper. Signed. Image size, 20H by 26L.

A beautiful signed and dated 1963 French cubist oil on canvas depicting Paris rooftops. Signature in bottom right corner is indistinct. A lovely painting in excellent condition. Art...

A beautiful signed and dated 1966 cubist oil on board depicting the sun setting over a Spanish landscape, by Francisco Ramos. Excellent quality work wi...

Taking on the inspiration of the legendary poet, Dylan Thomas, the poem, Do not go gentle into that good night, is a painting celebrates life in its ageing; as Rosa Albertine only flowers once in early Summer with the most festive blooms and heavenly scents, a symbol of a fully lived life. Painted Plein Air, in Artist's own garden of her very own planted memorial roses. This is Rosa Albertine, the first Old English variety Artist Shizico Yi planted in 2016 in her garden before her late dog died; Old English Roses...