Jules Cayette Desks

For sale is this very unique large executive boomerang desk. The top is made out of laminate and the bottom is solid wood.

Executive desk formerly belonging to noted architect George M. Notter, (1933–2007) of the Boston firm Anderson Notter Finegold (now known as Finegold Alexander Architects). Current institutional memory at the firm suggests it was a special order from Herman Miller for the then new New York offices of MGM, however Herman Miller's archivist was unable to confirm. Styling, particularly the distinctive slim milled aluminum tracks through which the entire drawer carriage glides is clearly similar to Warren Platner's designs for Lehigh-Leopold which were then among the most costly of executive office furnishings. The bent flat bar chromed steel base with its distinctive pigeon toe splay is somewhat similar to a table base in Stow Davis' Electa Series, designed by Alexis Yermakov circa 1971. Walnut laminate top is very clean with no issues. One corner edge shows a small separation. The only identifying markings are within the milled aluminum channel: G.P. F.I. 2 And the date Dec. 20, 1968. See image 18. Between the rectangular laminate top and the chrome base is a heavy blackened steel plate. Underneath the bent chrome pigeon toe feet are bars of a thick phenolic material which act as floor protector. We can have keys made to fit the two locking drawers. Tim Anderson...

Elevate your workspace with this exquisite Art Deco olive burl desk, where timeless elegance meets modern functionality. Crafted from the finest olive burl wood, this desk boasts a r...

Made in the 1980s in Italy, this desk features a sleek, post-modern, and angular design. Finished in a gloss piano black complemented by burl drawer-fronts, the large work surface ha...

Remarkable French Art Deco Streamline executive desk. Simple chrome accents on the base complements the elegant design. The asymmetric design features a drawer bank with a file drawe...

39 1/8 deep, 72.5" wide and 28.25" tall. A large, well-crafted, and impressive 1970s danish modern teak executive desk by D-Scan. This is a very heavy desk. Clean Danish modern-inspired design distinguished by 3.75” wide solid teak legs with exposed finger joinery in the style of Niels Bach or Peter Hvidt. Expansive top features very handsome highly figured grain. Finished on all sides, allowing for flexible room placement. Five drawers with flush-mount solid brass hinged ring pulls. Top right drawer locks, though key is no longer extant. Bottom right drawer has rails for hanging file folders. Privacy panel is inset 14” from the back, providing plenty of room for opposing chairs...

Mid Century Walnut and Chrome Executive Desk This desk measures: 65 wide x 36 deep x 30 high, with a chair clearance of 28.25 inches All pieces of furniture can be had in what we c...

Swedish inlaid Art Deco or neoclassical executive desk, Sweden, circa 1930s. Exterior golden elm, flame birch, mahogany. The front two doors are paneled and inlaid with intarsia of e...

An inlaid rosewood and flame birch desk with locking drawer, filing cabinet and pullout drawers. Various wood inlay. Finished on all sides. Knee hole...

Charcoal Maple Executive Desk, raised on two square legs, one drawer with clear finish to inside. 30.25" H x 78.25" W x 40.5" D. Provenance: From a New York City Collection. Keywords...

A fine Art Deco desk attributed to Jules Leleu.

This Boiceau desk bears his stamp, and was entirely veneered in amboyna, an exotic burlwood named for Ambon, the Indonesian island where it was harvested. The naturally squiggling patterning of the veneer provides an overall surface decoration. The top alone has no fewer than 60 small book-matched squares of it – ten across and six deep – creating a kaleidoscopic effect in subtle monochrome. Applied decoration is minimal. It consists of two inlaid pairs of griffins in boxwood and purplewood facing off across braziers on both the front and the back of the desk, and blind-tooled Greek keys trimming white-leather-topped shelves that slide out to either side. These decorations introduce no color, and, in lying flush with the surface, leave the sleek form undisturbed. Boiceau even eliminated drawer pulls, necessitating a lock and key for each drawer. Born in Lausanne in 1881, Boiceau descended from French Huguenots who had settled in Switzerland. Prominent as bankers, lawyers, businessmen, and diplomats, the Boiceaus were a cosmopolitan family. Ernest studied painting in Munich, and then painting and architecture in Paris at the École des Beaux-Arts. In 1900 he embarked on a ten-year European sojourn, painting landscapes and portraits along the way. In 1910 he resettled in Paris, became interested in textiles, and established an embroidery workshop that catered to the stage and haute couture. Among his clients were the Folies Bergères, the Comédie-Française, and the Paris Opéra, and the fashion houses of Worth and Molyneux. He also made embroidered table linens, wall hangings, and upholstery fabrics. In a 1913, at an embroidery exhibition in Paris at the Musée Galliera, he presented a boudoir in collaboration with curtains, upholstery fabrics, and a tapestry, embroidered in modern abstract designs. In 1925 he launched a couture line, and branched out to design finely crafted objects and furniture made in rare woods, like ebony and Tasmanian oak...