Karine Payette Figurative Photography
Canadian, b. 1983
Karine Payette was born in 1983 in Montreal, Quebec, where she lives and works. Working primarily with sculpture and installation, she reproduces, for the most part, environments that address the constant adaptation of the living in a world in perpetual transformation. Her recent research focuses on the idea of inscription and imprinting of the environment on the individual by examining the relationship that humans have with other species.
Since 2010, she has participated in several solo and group exhibitions. Her works are present in the collections of the Montreal Museum of Fine Arts, the Prêt d’œuvres d’art du Musée national des beaux-arts du Québec, the Musée d’art contemporain de Baie-Saint-Paul, the City of Montreal, the City of Longueuil, the City of Laval. Since 2015, she has completed nine projects integrating art into architecture for schools, libraries and parks in Quebec.to
4
Overall Width
to
Overall Height
to
4
4
4
4
2
2
1
1
1
1
1
1
1
1
4
4
21
4,355
324
265
265
Artist: Karine Payette
Entre nous IV
By Karine Payette
Located in Montreal, Quebec
Text by Nancy Webb
It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level.
Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings.
Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...
Category
21st Century and Contemporary Contemporary Karine Payette Figurative Photography
Materials
Photographic Paper
Entre nous V
By Karine Payette
Located in Montreal, Quebec
Text by Nancy Webb
It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level.
Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings.
Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...
Category
21st Century and Contemporary Contemporary Karine Payette Figurative Photography
Materials
Photographic Paper
Entre nous II
By Karine Payette
Located in Montreal, Quebec
Text by Nancy Webb
It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level.
Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings.
Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...
Category
21st Century and Contemporary Contemporary Karine Payette Figurative Photography
Materials
Photographic Paper
Entre nous I
By Karine Payette
Located in Montreal, Quebec
Text by Nancy Webb
It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level.
Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings.
Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...
Category
21st Century and Contemporary Contemporary Karine Payette Figurative Photography
Materials
Photographic Paper
Related Items
"Play with Me" Figurative Photography 39" x 39" in Edition 1/3 by Olha Stepanian
By Olha Stepanian
Located in Culver City, CA
"Play with Me" Figurative Photography 39" x 39" in Edition 1/3 by Olha Stepanian
Printed on Epson Professional Paper
Signed and numbered by the artist
Comes with COA issued by the ...
Category
21st Century and Contemporary Contemporary Karine Payette Figurative Photography
Materials
Photographic Paper
Olha Stepanian"Play with Me" Figurative Photography 39" x 39" in Edition 1/3 by Olha Stepanian, 2017
$2,250
H 39 in W 39 in D 0.1 in
"Men 2" Black
White Photography 31" x 31" inch Edition 1/7 by Olha Stepanian
By Olha Stepanian
Located in Culver City, CA
"Men 2" Black & White Photography 31" x 31" inch Edition 1/7 by Olha Stepanian
Printed on Epson Professional Paper
Signed and numbered by the artist
Comes with COA issued by the...
Category
21st Century and Contemporary Contemporary Karine Payette Figurative Photography
Materials
Photographic Paper
$1,850
H 31 in W 31 in D 0.1 in
"Look at Me" Black
White Photography 31" x 31" in Ed. of 7 by Olha Stepanian
By Olha Stepanian
Located in Culver City, CA
"Look at Me" Black & White Photography 31" x 31" in Ed. of 7 by Olha Stepanian
Printed on Epson Professional Paper
Signed and numbered by the artist
Comes with COA issued by the ar...
Category
21st Century and Contemporary Contemporary Karine Payette Figurative Photography
Materials
Photographic Paper
$1,750
H 31 in W 31 in D 0.1 in
"Intermixture 3" Photography 31" x 31" inch Edition of 7 by Olha Stepanian
By Olha Stepanian
Located in Culver City, CA
"Intermixture 3" Photography 31" x 31" inch Edition of 7 by Olha Stepanian
Printed on Epson Professional Paper
Signed and numbered by the artist
Comes with COA issued by the art...
Category
21st Century and Contemporary Contemporary Karine Payette Figurative Photography
Materials
Photographic Paper
$1,850
H 31 in W 31 in D 0.1 in
"Arabesque (No42)" Photography 47 x 47 in Ed. of 15 by Yevgeniy Repiashenko
By Yevgeniy Repiashenko
Located in Culver City, CA
"Arabesque (No42)" Photography 47 x 47 in Ed. of 15 by Yevgeniy Repiashenko
Photography
Year photo was taken: 2018
Unframed - ships in a tube
This picture is a part of Spirit s...
Category
21st Century and Contemporary Contemporary Karine Payette Figurative Photography
Materials
Photographic Paper, Archival Pigment
$3,100
H 47 in W 47 in D 0.1 in
"Intermixture" Photography 31" x 31" inch Edition of 7 by Olha Stepanian
By Olha Stepanian
Located in Culver City, CA
"Intermixture" Photography 31" x 31" inch Edition of 7 by Olha Stepanian
Printed on Epson Professional Paper
Signed and numbered by the artist
Comes with COA issued by the artist
N...
Category
21st Century and Contemporary Contemporary Karine Payette Figurative Photography
Materials
Photographic Paper
$1,850
H 31 in W 31 in D 0.1 in
"Intermixture 3" Black
White Photography 39 x 39 in Ed. 1/3 by Olha Stepanian
By Olha Stepanian
Located in Culver City, CA
"Intermixture 3" Black & White Photography 39 x 39 in Ed. 1/3 by Olha Stepanian
Printed on Epson Professional Paper
Signed and numbered by the artist
Comes with COA issued by the a...
Category
21st Century and Contemporary Contemporary Karine Payette Figurative Photography
Materials
Photographic Paper
$2,250
H 39 in W 39 in D 0.1 in
"Meaw 2" Black
White Photography 39" x 31.5" in Edition of 3 by Olha Stepanian
By Olha Stepanian
Located in Culver City, CA
"Meaw 2" Black & White Photography 39" x 31.5" in Edition of 3 by Olha Stepanian
Printed on Epson Professional Paper
Signed and numbered by the artist
Comes with COA issued by the ...
Category
21st Century and Contemporary Contemporary Karine Payette Figurative Photography
Materials
Photographic Paper
$2,150
H 39 in W 31.5 in D 0.1 in
Untitled from "Pia"
By Christopher Anderson
Located in New York, NY
Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Christopher Anderson...
Category
2010s Contemporary Karine Payette Figurative Photography
Materials
Photographic Paper, Archival Paper, Digital, Archival Pigment, Digital P...
"Speed 2" Black
White Photography 39" x 49" in Edition 1/3 by Olha Stepanian
By Olha Stepanian
Located in Culver City, CA
"Speed 2" Black & White Photography 39" x 49" in Edition 1/3 by Olha Stepanian
Printed on Epson Professional Paper
Signed and numbered by the artist
Comes with COA issues by the ar...
Category
21st Century and Contemporary Contemporary Karine Payette Figurative Photography
Materials
Photographic Paper
$2,250
H 39 in W 49 in D 0.1 in
Ali vs The Beatles - Chris Smith, black, white, muhammad ali, beatles, 34.5x48in
Located in London, GB
Chris Smith (b.1937)
Ali Versus The Beatles
1964
silver gelatin fibre based print
20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. / 50 x 92 in.
signed and numbered
printed later
This work...
Category
1960s Contemporary Karine Payette Figurative Photography
Materials
Photographic Paper, Silver Gelatin
Ali vs The Beatles - Chris Smith, black, white, muhammad ali, beatles, 20x30 in
Located in London, GB
Chris Smith (b.1937)
Ali Versus The Beatles
1964
silver gelatin fibre based print
20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. / 50 x 92 in.
signed and numbered
printed later
This work...
Category
1960s Contemporary Karine Payette Figurative Photography
Materials
Photographic Paper, Silver Gelatin
Previously Available Items
Entre nous III
By Karine Payette
Located in Montreal, Quebec
Text by Nancy Webb
It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level.
Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings.
Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...
Category
21st Century and Contemporary Contemporary Karine Payette Figurative Photography
Materials
Photographic Paper
Karine Payette figurative photography for sale on 1stDibs.
Find a wide variety of authentic Karine Payette figurative photography available for sale on 1stDibs. You can also browse by medium to find art by Karine Payette in paper, photographic paper and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Karine Payette figurative photography, so small editions measuring 36 inches across are available. Customers who are interested in this artist might also find the work of Jack Butler, Lynda Churilla, and Gina Soden. Karine Payette figurative photography prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,300 and tops out at $2,300, while the average work can sell for $2,300.






