Katie Hallam Photography

Archival digital print 40 x 40 inches, edition of 15 Additional sizes available This contemporary, archival digital print was made by fine art photographer, Lisa Frank, in 2017. The...

Colorful, Maximalist style floral still life photograph of pink, green, yellow, and cream colored flowers and succulents Archival digital print, made to order 40 x 40 inches, editio...

Parking by Frank Schott 48 x 72 inches / 122cm x 182cm edition of 7 signed 27 x 40 inches / 68cm x 102cm edition of 25 signed archival fine art pigment print signed & numbered by ...

Bright, Maximalist style still life photograph of purple and green flowers and yellow lights against a black background Archival digital print, made to order 24 x 24 inches, edition ...

Afternoon light drafts the room with architectural restraint: bands of shadow, glass mullions, and poured concrete divide the space into calm planes, while a modernist floor in earth...

"Drift 05" Landscape Photography 40" x 30" Edition of 5 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Signed and numbered by the artist Comes with COA issued by the ar...

Colorful, Maximalist style floral still life photograph of green plants and flowers with gold lights and fireworks Archival digital print, made to order 48 x 40 inches, edition of 15...

"Proxima" Photography 45" x 30" inch Edition 1/7 by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Signed and numbered by the artist. Co...

Windmill in The Hamptons (Long Island, NY) Photography Edition of 10 UNFRAMED: (framing is $140) Print to Order About the Artist: Short Biography in a Nutshell: A fun journey My ...

"Proxima" Photography 36" x 24" inch Edition 1/15 by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Signed and numbered by the artist. Co...

Abstract digital print on black/white photo paper 25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass Pairs well with Ref: LU2272395053 These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by painting with the photographic chemicals directly onto black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Framed, Hand-woven photography print. This piece is an original artwork by Jason Chen titled "Like Nobody’s Watching". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 40.5”h x 30”w and ships framed in the pictured 44.75”h x 34”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his first solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...