Keith Carter b.1948 Still-life Photography

Black and white, Still life, Flower, Botanical, Rose, Abstract, flower, still life, photograph, black and white photograph, abstraction, b&w All the photographs in a limited edition. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.” ABOUT In 2008, Andrew Arrick and Michael Hofeman first came across The Robin Rice Gallery and immediately fell in love with the fine art photography becoming fans and collectors of the work. On a visit to the gallery this past winter, Michael and Andrew had a brilliant idea to join forces with Robin to curate an exhibition in tune with the aesthetic of their vintage lifestyle boutique, FINCH hudson...

"Woven" (FRAMED) Figurative Photography 20" x 16" in Ed. 1/15 by Aaron Mcpolin Size framed: 22" x 18" inch Medium: Archival Giclee Print Signed and numbered by the artist. Comes wit...

"Untitled (Nr. 0983)" Black & White Photography 36" x 44" Ed. of 12 by Ben Cope Unframed - ships rolled in a tube Signed and numbered by the artist. Comes with COA issued by the ar...

"Edens Dreaming" Photography 24" x 24" inch Edition 1/15 by Aaron Mcpolin Medium: Archival Giclee Print Signed and numbered by the artist. Comes with COA issued by the artist Availa...

"Dark Spark" (FRAMED) Photography 20" x 16" in Edition 1/15 by Aaron Mcpolin Size framed: 22" x 18" inch Medium: Archival Giclee Print Signed and numbered by the artist. Comes wit...

Untitled (Nr. 0951) Black & White Photography 36" x 44" in Ed. 1/12 by Ben Cope Unframed - ships rolled in a tube Signed and numbered by the artist. Comes with COA issued by the ar...

American Flag (Sepia Toned Still Life of Vintage Flag Leaning Against Wall) by David Halliday Sepia toned silver gelatin print, edition 11 of 25 Custom bl...

"Grenade Dior DRW3" Photography 48" x 48" in Edition of 4 by Giuliano Bekor Grenades series Title of artwork: Dior DRW3 Year: 2023 Medium: Photography Print size: 48x48 Inches trim...

CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...

Untitled (Nr. 0113) Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Signed and numbered by the artist. Comes with COA issued by the artist. Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey. Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture and photography from Columbus State University. He maintains a successful career with a diverse portfolio including fashion, editorial, celebrity portraiture and advertising. He is widely known for his celebrity and fashion portraiture, which has been published internationally in publications such as Harper’s Bazaar, Elle, GQ, The Work Magazine, Fucking Young, and l’Officiel, and has shot international campaigns for such clients as Adidas, L’Oréal, Paul Mitchell, and Vidal Sassoon. He has photographed Selena Gomez...

Kurt Markus, American (1947) Batwings, Oro Ranch, Prescott, Arizona Archival Pigment Print, Edition of 300, # 149, Signed and numbered. Framed. Measurements: Frame: H 57.15 cm/22.5 in x W 45.72 cm/18.5 in - Sight H 33.02 cm/13.5 in x W 25.4 cm/10.5 in Kurt Markus, self-taught American photographer, was born in rural Montana. Markus is a nationally and internationally published photographer. Markus’s work began with a focus on American West Cowboys...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...