Kristian Schuller Art

24"x30" photograph, limited edition of 5, signed on reverse by the artist, Phillip Buehler. Barricaded with a wall of gnarled metal, the abandoned mall's entrance is blocked by a wall of debris. Phillip Buehler's photograph captures the unsettling scene of the closed mall, seemingly taken from a post-apocolyptic, science-fiction scene. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player...

24"x30 contemporary color photograph, limited edition of 5, signed on reverse by the artist, Phillip Buehler. The shuttered gate of Waldenbooks appears as an ineffectual effort in the dilapidated scene captured by Phillip Buehler. The once brilliant sign has been removed, yet you can see the aura of the letters, appearing as black signage against a grey-black surface. Debris and trash litter the flooded corridor, creating a errie feeling. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player...

24"x30" will photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern...

'Palimpsest', 2017, Edition 1/10 plus 2 Artist Proof, 24x20cm. Art Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounted. Signed on back with certificate. L...

'Untitled' from the Dwell Series, 2018, Edition 1/10 plus 2 Artist Proof, 20x24cm. Art Print based on an original Polaroid photograph on Hahnemuhle photo rag paper, not mounted. Si...

18"x18" photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...

24"x30" contemporary color photograph, limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts the remnants of a Sam Goody shopfront in the now closed and demolished, Wayne Hills Mall, in Wayne, New Jersey. Phillip Buehler captures the last stages of the life of the once bustling mall, with the empty corridors and dilapidated storefronts and kiosks. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player. Buehler’s photos of iconic hangouts and lowbrow teenage meeting places ring out from the 1970’s, 80’s, and 90’s but are torn away from their movie soundtracks and sent into an apocalyptic icy future. Featuring Sam Goody, Waldenbooks, Toys R Us...

'A Likeness' from the Dwell Series, 2017, Edition 1/10 plus 2 Artist Proof, 20x24cm. Art Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounted. Signature lab...

'Us', 2018, Edition 1/10 plus 2 Artist Proof, 20x24cm. Digital Print based on Polaroid on Hahnemühle photo rag paper, not mounted, Signed and certificate. Published in Elston Gunn. ...

limited edition of 5, signed on reverse by the artist, Phillip Buehler. The shuttered gate of Waldenbooks appears as an ineffectual effort in the dilapidated scene captured by Phillip Buehler. The once brilliant sign has been removed, yet you can see the aura of the letters, appearing as black signage against a grey-black surface. Debris and trash litter the flooded corridor, creating a errie feeling. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall...

limited edition of 5, signed on reverse by the artist, Phillip Buehler. A flood of water creates a reflected surface of debris along the floor of the abandoned store in this photograph. Buehler has captured the time capsule effect of the remnants of the store with its geometric patterns in pink, teal and grey denoting the former 'glory days' of the Wayne Hills Mall...

'This Slap' (Movie Stills) Edition of 10, 20x30cm, 2008, Archival Print. Signature label and Certificate. Published in Tao Ruspoli's Monography 'Midway...