Leo Sewell Animal Sculptures

This is a manekineko cat object. It is made with porcelain and it was made around 1980s in Showa era. Dimensions. 8 x 8.5 x H13 cm The maneki-neko is a common Japanese figurine ...

Early Leo Sewell Assembledge. Sculpture, seated male figure, signed and dated, 1977. A charming array of whimsical found objects, Italian chair incl...

Fantastic doll TOTEM sculpture composed of European doll parts, European and American vintage tin tea caddies, fire bell, and topped by a whimsical tin bird...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here, a beautifully rusted tobacco box, a steel egg...

A dramatic pair of sculptural Found Objects panels, circa 1970. Cream painted wood frame construction with a heavy plywood back. Varying sections comprised of intricately arranged vintage furniture parts, architectural salvage and wood letters...

Brutalist hanging wall sculpture by Bill Heise. Found objects, hand executed from found objects, welded The pieces are crafted from turn-of-the-century farm equipment collected from the fields of Vermont, maritime parts salvaged from around the Bay Area, and railroad components, antique tools, and other vintage metal found throughout America. The delicate lines and whimsical nature of Heise sculptures often defy the rugged origins of each component part. Railroad spikes, plough discs, pitchforks, shovel blades, and a myriad of other parts are transformed into birds in flight, cows out to pasture, tropical fish, and a variety of other wildlife forms. And there's always an interesting story behind each piece, be it the eighty something farmer who helped me retrieve equipment from the "back forty," frozen hands from digging a hay rake...

Artist Statement: During the summers in Connecticut when I was a pre-teen, I lived for playing baseball. I grew up on a farm and had to work hard, but I always made time for baseball. I played everyday and sometimes even slept with my glove underneath my pillow. I dreamed of playing professionally for the New York Yankees. The only thing that dragged me away from playing baseball was an arts and craft’s class in my school’s summer program. On Tuesday afternoon, after lunch, baseball was on hold for arts and crafts. In my first class, they taught us how to make pot holders and build things with Popsicle sticks by gluing them together. It was so much fun. I guess this was the earliest telling of what was to unfold in the future years. I continued to play semi-pro baseball until the age of 38. I was also into weightlifting and even placed in a national competition. Sports and art have always been my passions. I was willing to put sports on hold for my art, though. And sports have always influenced my artwork. My first great influence in art was my craft teacher in high school, Shirley Charron. I was not an “A” student by any means and I did not excel in math or science. Ms. Charron knew I wasn’t a great student and encouraged me to apply for art school at Silvermine College of Arts. The college was holding interviews and all I had to do was make an appointment and bring my artwork. I was excited to find out that they didn’t need to know my S.A.T. scores. So I met with Dean Bob Gray and he liked my artwork. I became a student at the Silvermine College and received my Associate’s Degree from there. I went on to the Maryland Institute of Art where I received my Bachelor of Arts degree. I met several students from various backgrounds and different countries. I was fortunate for having great teachers and mentors along the way. Visiting artists were a big influence to me, as well. My college years helped greatly, keeping me out of the ‘real world’ and into the realm of creativity and free­ flowing ideas. After receiving my Masters Degree from the Art Institute of Chicago in 1977. I stayed in Chicago. I became ‘so-to-speak’ a “Chicago” artist, living in lofts, dreaming the dreams of becoming known and reaching for the stars. I was still quite naïve at the age of 30. Luckily, I kept my day job as a cleaning man. I worked hard during those years after graduate school and still do 28 years later. During those 28 years, I tried out for the Chicago White Sox...

Using entirely found and collected steel objects, this sculpture shows the beauty of repurposed steel. Meticulously crafted, artist Jim Rose was a master welder as well as artistic c...

Original, Contemporary and one of a kind wall sculpture. A still life study in color, form, composition and texture. A bronze panel, oxidi...

Leo Sewell Trash Can. Made of an accumulation of found objects Signed and Dated on the bottom.

Using entirely found and collected steel objects, this sculpture shows the beauty of repurposed steel. Meticulously crafted, artist Jim Rose was a master welder as well as artistic c...

Using entirely found and collected steel objects, this sculpture shows the beauty of repurposed steel. Meticulously crafted, artist Jim Rose was a master welder as well as artistic c...