Leopoldo Torres Aguero Furniture

Original midcentury Raoul Dufy art poster from the 1950s printed by Mourlot, Paris, France. Raoul Dufy was a renowned artist that created excellent works of...

Original midcentury J.M. Eckert art poster from the 1977 exhibit in the beautiful seaside village of Villefranche-sur-Mer, France. This is an original not a reprint. We recommend p...

Patagonians of Southern Argentina – Antique Hand-Colored Ethnographic Print c.1805 This expressive and beautifully hand-colored ethnographic print titled “Patagoners” represents the...

This is a decorative French wine menu from a restaurant, French, circa 1970.

United Kingdom - Offset Lithograph on Paper, from the original show 1993 Christopher Wool’s paintings and prints explore the confluence of image, text, and pattern. They often feature enigmatic, confrontational found phrases or illegible scribbles, which are either stencilled or plastered in black across flat white fields. The artist occasionally covers the compositions with spray-paint marks and screen-printed elements (some taken from his previous works), erasing and relayering as he goes. His process—which focuses on the possibilities of reproduction, appropriation, and accretion—is as important as the results themselves. Wool studied at Sarah Lawrence College and the New York Studio School. New York’s vibrant 1970s downtown No Wave and punk scenes became major influences, and Wool reached his mature style in the mid-1980s. Wool has exhibited in New York, Los Angeles, Chicago, London, Paris, Tokyo, Berlin, and beyond, and his work belongs in the collections of the Museum of Modern Art, the Centre Pompidou, and the Tate. His work has achieved eight figures on the secondary market. Drawing from Minimalism and Conceptualism, Felix Gonzalez...

"Flower Power" print pencil signed Montgomery circa 1960 unframed overall all size 17 1/2" x 12" image size 14" x 9"

Mid Century Modern Blue Kimono Custom Framed Lithograph. Circa 1970s. Features an abstract light blue and silver kimono image over a geometric backgroun...

Monotype by Harry Bertoia, initialed and numbered 1860 on rice paper set mounted in oiled walnut frame. From the Bertoia Family collection. A beautiful rendering of his sculptures id...

Antique Print - Plaza de Mayo, Buenos Aires, 1820s - Jules Ferrario This historically rich print, titled "Plaza de Mayo, Buenos Aires," originates from Jules Ferrario's renowned series "Le Costume Ancien et Moderne," specifically from Volume II, plate 2. The print offers a captivating depiction of the Plaza de Mayo, one of the most significant public squares in Buenos Aires, Argentina. It beautifully captures the essence of the plaza during the early 19th century, featuring local inhabitants engaged in daily activities, architectural landmarks, and a dynamic urban atmosphere. The intricate detailing and careful hand coloring enhance the visual impact, providing a window into the architectural and social fabric of Buenos Aires during this period. This piece is invaluable for collectors interested in South American history, urban landscapes, and antique lithography. It not only serves as a decorative artwork but also as an important document that highlights the urban development and cultural milieu of Buenos Aires in the early 1800s. It remains in good condition, with colors that have retained their depth and vibrancy, making it a prized addition to any collection of historical prints. In more detail: Line & aquatint etching with original hand colouring on wove (vellin) paper. From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 17 volumes (first issue), published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. This Italian volume has the date 1821. The second issue was published in 21 volumes in 1827. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide including van Humboldt, von Wied etc. Made by ‘D.K. Bonatti’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

Mireille Morency-Lay (Canadian b.1943) Pair bright and colorful monotypes by listed artist MORENCY-LAY. Each is signed, dated and inscribed in pencil by the artist. Title "J...

Original mid-century modern silkscreen print depicting a surreal nautical scene, circa 1950s. The composition features a fantastical sailing ship alongside stylized birds in flight,...

Pair of colorful monotypes by Georges-Armand Masson. Dimensions: 16" x 19.5".