Lisa Breslow Paintings

View from the Train, 2019 24" X 40" x 1", oil on canvas This contemporary oil painting depicting a metropolitan view is the work of realist painter Patty Neal. The painting offers an intimate view of the city, as seen from a window, as it peeks from behind two metal structures. The dark browns and bright golds beautifully compliment the dusty blue, gray sky. Neal works highlight everyday city scenes, utilitarian infrastructure, and industrial or electrical apparatus. Artist statement: A life is an accumulation of experiences: visual, emotional and mental. By compartmentalizing these snippets of life we create boundaries. The focus of my work for many years has been the exploration of these various life aspects and how they are bound together or bound from each other. My process is often literally composed of boundaries. I make a painting by putting together multiple panels, or I segment a single panel into separate visual spaces. The works are made up of pieces or elements of city and landscape. While exploring the concepts of boundaries I play with visual “reality.” Sometimes I combine images that are upside down with those that are not and juxtapose images from different contexts. Literal boundaries, such as walls fences, expanses of water and highway median strips are also used. My intent is to invite viewers to look beyond these boundaries to see the possibilities of a connected whole. About the artist: Solo Exhibitions 2011 "Interior/Exterior", Carrie Haddad Gallery, Hudson, New York 2008 ”Landscape Revisited”, 1870 Gallery, Belmont 2005 Nomad Rug Gallery, San Francisco 2004 "Landscapes"@Klein's, San Francisco 2004 "Landscape Renewed," Space 743, San Francisco 2003 Exploding Head...

"Leaving Orange Pt. 1" (2020) by Francesca Reyes Oil painting on wood panel, urban skyscape, sunrise or sunset Figurative Art / Representations of Architecture / Cityscapes and City Scenes / Dark Colors Small scale vertical contemporary landscape, cityscape. Moody color tones of a Philadelphia...

The setting sun over the ocean creates a kaleidoscope of color in this small landscape painting by Art Chartow entitled "Arch Cape, Oregon" The pristine landscape is highlighted by the glowing horizon as the sun sets on another day. The painting is framed in a simple black wooden frame measuring 7.25h x 13.25w inches. Arthur Chartow Arch Cape, Oregon oil on panel 6h x 12w in 15.24h x 30.48w cm ACH027 Biography Solo Exhibitions 2004 “Quiet Places,” Sherry French Gallery, New York, NY 2002 “At Water’s Edge,” Sherry French Gallery, New York, NY 1986 Rubiner Gallery, West Bloomfield, MI. Museum Exhibitions 2016 “80th National Midyear show,” Butler Institute of American Art, Youngstown, OH 2010 “2010 Contemporary Realism Biennial,” Fort Wayne Museum of Art, Fort Wayne, IN 2008 “72nd National Midyear show,” Butler Institute of American Art, Youngstown, OH 2007 “71st National Midyear show,” Butler Institute of American Art 2002 “Art of Collecting,” Flint Institute of Art, Flint, MI Gallery Group Exhibitions 2012 “City Streets II,” George Billis Gallery, New York, NY 2009 “Selections,” Ann Nathan Gallery, Chicago, IL 2008 “Eye on the Environment,” Sherry French Gallery 2007 “Panoramas,” Sherry French Gallery. “The Four Seasons,” Sherry French Gallery. “Poetry = Painting,” Sherry French Gallery. 2006 “The Four Seasons,” Sherry French Gallery. Gallery and Invited Artists, Sherry French Gallery. “Mainely Maine,” Sherry French Gallery. Summer invitational, Ann Nathan Gallery, Chicago, IL Featured Artist, Susan Maasch Fine Art, Bangor, ME 2005 “Mainely Maine,” Sherry French Gallery. 2004 “Poetry = Painting: ut pictura poesis,” Sherry French Gallery. 2003 “Mainely Maine,” Sherry French Gallery. “Poetry = Painting: ut pictura poesis,” Sherry French Gallery. “Flowers in February,” Sherry French Gallery. 2002 “The Four Seasons,” Sherry French Gallery. “Poetry = Painting: ut pictura poesis,” Sherry French Gallery. 2001 “Mainely Maine,” Sherry French Gallery, New York, NY. “Small Sizes, Precious Pieces,” Sherry French Gallery. “Contemporary American Landscapes: An Urban and Rural Perspective, ” M. A. Doran Gallery, Tulsa, OK 1991 “Nine Views of Landscape,” Ruth Volid Gallery, Chicago, IL. Landscape show, Rubiner Gallery 1990 “LANDscape,” Ruth Volid Gallery. 1989 “Landscape,” Rubiner Gallery. 1986 “Works on Paper,” Gallery Henoch, New York, NY. Selected Group Exhibitions 2016 “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center, Birmingham, MI. 2015 “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center, Birmingham, MI. 2008 “Urban Edge,” Grosse Pointe Art Center, Grosse Pointe, MI “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center, Birmingham, MI. 2007 “Michigan Annual XXXIII,” Anton Art Center, Mt. Clemens, MI “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center. 2006 “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center. 2005 “45th Annual Greater Michigan Art Exhibition,” Alden B. Dow Museum of Science & Art, Midland, MI. 2002 “Land and Water,” Lobby of 717 Fifth Ave, New York, NY; Art Placement...

Rizaldy Celi Jr. (Filipino-Vietnamese, American, born 1983) "Death to Perfection" 2022 Oil Paint, Varnish, Wood Panel, Wood The artist signed the back ...

This original oil painting on birchwood panel is painted in the shades of pale green wildflowers that one sees along forest paths and clearings as summer approaches. This is the silh...

'Soft Light' from Stephanie Peek, who makes her home in California, is beautifully rendered with a sense of depth, intellect, timelessness, and mystery. An elegant painting referencing dried eucalyptus leaves that the artist piled up in her studio and studied under a variety of natural and man-made lights and times of day/evening. oil on panel with natural alabaster ground into the pigments. Peek has floated tulips, roses and other flowers and leaves from 17th century still life paintings through the dark smoky atmosphere of her paintings of night...

This is the silhouette of a Japanese aralia (paperplant, false castor oil plant, fatsia japonica). The big leaves have nine lobes and spread out wide. The sky is painted a pale peac...

Oil on panel

Frank Dekkers (1961) is a landscape painter par excellence. Full of dedication and diligence he always works on location outdoors, defying the elements. The weather plays an important role in his work: an emerging early winter, heavy summer rain, lightning storms and flaming sunsets form endless sources of inspiration. Like 19th century painters as Monet or Renoir he takes his easel, panel and oil paint outside where Frank finds the peace and quiet to create his paintings. Being outside, experiencing the landscape, the passing of the day, is what makes him paint. Dekkers masters many techniques, such as etching, woodcutting, ink drawing and painting in oil. Whatever the technique he uses, his work is always recognizable by his unique signature. He can accurately depict the essence of the landscape, using minimal resources. By reducing his subjects to lines, surfaces, colors and light, he shows us his interpretation of the landscape without it becoming unrecognizable to those who haven’t been there. On the back of every panel Frank notes down the coordinates, the exact spot Frank painted the landscape. Type the coordinates in Google Maps...

Carefully ordered patterns, geometric shapes and delicate lines in pale peach, light blue, and pale violet on a light green background with hints of golden orange and greenish yellow...

Signed lower left: J Malzahn

This oil painting by Marc Barker features the skyline of an urban landscape with predominant sky and one cloud with a reflection of the cloud in the foregr...