Loet Vanderveen Art

Whether in the draping of a silk gown worn by an opera diva, or in the sparkle of an intricately beaded headdress worn by a woman of society, Erté had an exceptionally acute visual memory of every detail of his early design creations. It was no wonder then that his fashion designs were so adeptly applied to the sculpture format. In Mermaid, we have a fine example of how Erté carried the technical possibilities of the sculpture medium to a new level. This attention to detail added to his legend as one of the Twentieth Century’s foremost artist-designers, with work represented in the collections of the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York, the Paris Opera House, the Smithsonian Institution and the Victoria and Albert Museum, London. Through Mermaid, Erté takes us beyond the female form by choosing the intriguing legendary sea creature whose upper body is that of a woman, and whose lower body is that of an aquatic creature. In quintessential Erté style...

The inspiration for this sculpture comes from Erté's original costume design entitled "Texas," for the 1917 New York stage production of "The American Millionaires." This spectacular...

Demetre Chiparus Egyptian Dancer, ca. 1920 Bronze, enamel, gilt metal, and marble 29 in Signed to base 'Chiparus'

Oriental Dancer Cold-painted Bronze Figure, circa 1925 on a shaped marble plinth inset with bronze medallions 15 in high, signed to base 'Chiparus' Demetre Chiparus was a Romanian s...

La Mystérieuse was inspired by Erté’s design for a wedding gown published in Harper’s Bazar in 1923. Erté wrote, “The name comes from the effect of mystery of this exquisite outfit. The dress was designed to be in white crêpe embroidered with geometric designs in silver and adorned with snow-white ermine...

Bronze and petrified Arizona wood Edition number : 1/8 ; Draws 8 + 4 Certificate : seal and signature by Dominique Mufraggi on the work and on the original certificate Dominique Mu...

Erté, considered by many as the “Father of Art Deco,” often acknowledged that his love for the theater was a great source of creativity and inspiration. He conveyed in his art a drama with which he lived his life – a dream that came from the very innermost expression of his soul. Just like theater has two faces - comedy and tragedy - Erté was a brilliant showman, as well as a quiet man who sometimes would prefer to be left alone. From a young age, he was immersed in the world of opera, ballet, and theater. When he designed costumes and sets for theatrical productions, it was a lifelong desire that he was fulfilling. “Broadway’s in Fashion” is a fitting tribute to the legendary Broadway from a man who pursued the theatrical in everything he did. In 1978, Erté was honored by the Eugene O’Neill Foundation at a gala celebration in New York entitled “Broadway’s in Fashion” for which Erté designed the poster. This led to a CBS-TV film on Erté narrated by the legendary Diana Vreeland, and an exhibition of his costume designs at the Boston Center of the Arts. This sculpture, in scarlet and black, with white gold embellishments, incorporates the elements for which Broadway is best known. Her elegant and confident posture reveals her costume, which is itself an homage to Broadway – the scarlet robe with gold tassels evokes the stage curtain as it rises to reveal the first act, the male and female dancers, energetically giving their all for each performance, and the Greek masks of comedy and tragedy...

Erté originally created this delightful image representing the feminine energy of Spring for a scene in “Les Rois des Legendes” at the Folies Bergère. Catalogue - Erté: The Last Wor...

Summertime Lady is back to the gallery on consignment. Outstanding focal point for front entry of your home or garden. Flowing curves, elongated form, definitive gaze and the ultimat...

Erté’s image of Helen of Troy also exists as a gouache painting and a serigraph. Known as "the face that launched a thousand ships" and as Zeus' daughter, her story is one that is intricately intertwined with many of the Greek gods and goddesses...

David Hostetler cast this bronze from an original wood carving, as most of his bronzes originate. This sculpture was the original model for unique ver...

By Commission. Casting and custom paint will take approximately 4 months. I have to get in line with my paint expert. Cape Lady is a polished bronze casting painted with Glasurit, a hand sprayed car paint. It is BMW white and BMW black. It is a limited edition of 15 with 2 artist proofs. The current edition available would be 6/15. It was cast from an original wood carving by David Hostetler...