Lorenzo Homar Art

Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. The print suite was realized in 1985 in a limited edition of 2500, a...

Conversation is a lithograph realized by Jacques Pecnard in the Mid-20th Century. Good conditions. The artwork is depicted through harmonious colors ...

Artist: Pablo Picasso Title: Le Picador (II) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Frame Size: 18 1/4" x 20 3/4" Sheet ...

Artist: Pablo Picasso Title: Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame ...

This artwork titled "Mascara Roja" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 21 x 27.25 inches, framed size is 37.25 x 42 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #124. Custom framed in a wooden gold leaf frame, with gold and red spacer and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...

Alexander Calder The original Los Angeles County Museum of Art poster, 1965 Limited Edition vintage Offset Lithograph 32 × 24 3/4 inches 81.3 × 62.9 cm Edition of 300 This is the OR...

This photo-lithographic poster was printed at the Atelier Mourlot in Paris in 1982 with the permission of the Matisse estate to promote the works by Henri Matisse at the Galerie Dina...

This original screenprint is hand signed and dated by the artist in pencil "Motherwell" at the lower right margin. It is also hand numbered in pencil from the edition of 250, at the ...

James Siena at PACE Gallery, 2019 Offset lithograph exhibition invitation (Hand signed by James Siena) 19 1/2 × 14 1/2 inches Unframed This exquisite fold...

Artist: Gordon House, British (1932 - 2004) Title: Series 40 C Year: 1965 Medium: Screenprint, signed and numbered in pencil Edition: 13/50 Image Size: 16 x 15.5 inches Frame Size: 2...

For Every Fighter a Woman Worker. Original vintage poster. Linen Lined. Very good condition. Artist: Ernest Hamlin Baker. Size: 28" x 42". Year: 1918 Linen backed trimme...

KIMBER SMITH Untitled Abstract Expressionist Geometric Abstraction, 1967 Lithograph on Rives paper 25 × 19 3/5 inches Signed in silver...