Louise Nevelson Sculptures

This series of sculptures is called Emotional States. It was created in 2023 in Kyiv (Ukraine). I lived and worked all year in my hometown in the middle of a Big war. I experienced a...

“LarA 011” is a unique architectural sculpture from the Antropotectura series by Spanish artist José Perozo. Cast in black pigmented cement, this head-and-shoulders bust presents a fusion of the human figure with modular architectural volumes. The vertical extension of block-like forms emerges from the cranial area, transforming the head into a structural topography. This hybrid configuration invites reflection on the human body as both inhabited and inhabiting — a site of memory, construction, and symbolic permanence. The formal arrangement of the sculpture is symmetrical but discontinuous, with geometric protrusions interrupting the organic contours of the face. These elements suggest urban formations, perhaps ruins or unfinished constructions, anchored to the surface of the skin. This layered structure evokes the aesthetic of posthuman figuration and resonates with speculative architectural languages often seen in anime environments — particularly those of Studio Ghibli or early cybernetic landscapes. The matte black surface finish accentuates the raw tactility of the material. Subtle tonal variations, occasional air pockets, and manual traces from the casting process are preserved, underscoring the artist’s interest in the sculptural language of construction materials. These choices align with the conceptual underpinning of Antropotectura, a term coined by Perozo to describe his ongoing investigation into the convergence of embodiment and architecture. About the Artist: José Perozo (Vigo, 1978) is a Spanish sculptor with a background in Scenic Construction and Fine Arts. His practice explores how built structures can be inscribed onto the human form, merging classical figuration with a contemporary sculptural grammar. The LarA series has been exhibited in institutional and independent contexts and is currently represented by Casa das Peritas. About Casa das Peritas: This work is presented by Casa das Peritas, an independent art space located in Galicia’s Atlantic coast, working with international collectors, designers, and institutions. Known for its curated selection of contemporary figurative and conceptual works, the gallery combines rural precision with global outreach. All works include certificates of authenticity and are shipped with personalized follow-up and care. Visitors are encouraged to follow our storefront to explore new additions and artist collaborations. Technical Details: Title: LarA 011 Series: Antropotectura Artist: José Perozo Medium: Black pigmented cement with fine aggregates and acrylic fibers Finish: Hand-tinted and sealed with matte protective varnish Dimensions: 21 x 29 x 17 cm Weight: 6 kg Year: 2024 Packaging: Custom-made box (27 x 35 x 23 cm) for secure international delivery Authenticity: Signed by the artist with certificate included Installation and Context: The sculpture may be installed as a freestanding work in display niches, shelving, or plinths. Its formal and material language lends itself to architectural, conceptual, and collectible sculpture contexts, making it suitable for residential interiors, institutional settings, or design-driven environments. Keywords (SEO): architectural sculpture, figurative bust, posthuman art, concrete head...

This captivating mid-20th-century abstract bronze sculpture by Edward (Eduardo) Arcenio Chavez (1917–1995) beautifully exemplifies his dynamic sculptural style. Cast in bronze and mo...

A commanding example of Brutalist artistry, this large-scale wall-mounted sculpture by Dan Gluck is composed of intricately welded steel elements arranged in a dynamic abstract compo...

Cameo Pink Seaform with Black Lip Wrap (94.678.s1), 1994 Dale Chihuly (American, b. 1941) 14 x 32 x 18 inches Born in Tacoma, Washington, Dale Chihuly became the most famous ornate ...

This small exquisite "Bronze Sculpture II" is in excellent condition and a perfect example of Eugene Caples craftsmanship. This is mainly abstract with some graphic or architectural elements and is so delightful that mythical creatures demand to be considered. It cries out to be touched and held, looked at and caressed. The beautiful patina on the surface gives voice to the many hands that have done these things. Eugene Caples is a designer and craftsman who worked in Kansas City in the 1960s and later through the early 21st century. He attended the Kansas City Art Institute, earning his Bachelors of Fine Arts in Industrial Design in 1959. In 1963 he was accepted to Cranbrook Academy of Art, Bloomfield Hills, Michigan. The Cranbrook Academy of Art was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists are alumni of Cranbrook and include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald...

William Pellicone (American 1915-2004) Mixed media, pyrography, oil on wood carving painting. Dated 1958 Title - Enthymeme #14. Oil painting on carved and burnt distressed wood panel. Inscribed verso Enthymeme Wm. Pellicone #14, 9-4-58. Label on reverse with a typed definition for Enthymeme. Dimensions: 27 inches high, 42.5 inches wide. Metal wrap frame. Provenance: from a Shelter Island NY home that was designed by architect Henry J. Gazon - A.I.A. built in 1959. William Pellicone (1915-2004) was an American painter known for his abstract compositions and use of vibrant colors. He was born in New York City and studied at the Art Students League and the Brooklyn Museum Art School. Pellicone's early work was influenced by the Social Realist movement of the 1930s and 1940s, with his paintings often featuring realistic depictions of urban scenes and working-class people. However, in the 1950s he shifted towards abstraction, exploring the interplay of color and form. Pellicone's mature style was characterized by his use of vibrant, saturated colors, often applied in thick layers of paint. His paintings often featured geometric shapes and organic forms, with a strong sense of movement and energy. In addition to his painting, Pellicone was also a respected teacher and arts administrator. He taught at the New York Institute of Technology and the State University of New York, and served as the director of the Islip Art Museum on Long Island. Pellicone's artwork was exhibited widely during his lifetime, and he was the recipient of numerous awards and honors, including a National Endowment for the Arts grant in 1977. Today, his paintings can be found in the collections of museums and galleries around the world, including the Smithsonian American Art Museum in Washington, D.C. and the Metropolitan Museum of Art in New York. William Pellicone (Born 1915) is active/lives in New York. William Pellicone is known for Abstract expressionist, landscape and non-objective art. An American artist, sculptor, architect. He exhibited at Pennsylvania Academy Fine Arts...

"All" Teak Wood Sculpture 20" x 14" inch by Mohamed Hassan Medium: teak wood Mohamed Hassan is a traditional Arabic calligraphist, he obtained his official license to practice this...

Milton Hebald (American, 1917-2015) Lion of Judah menorah bronze on a white marble plinth base signed in bronze 12" H x 10.5" W x 2.5" D Milton Elting Hebald (1917 – 2015) was a s...

Wonderful small scale abstract figurative stone Venus sculpture by Doris Ann Warner (American, 1925-2010), 1975. A highly abstracted female form is expressed through the organic, fl...

Dina Recanati Cosmos Series (they look like outer space or abstract desert landscapes) Hand signed and dated 2002 Metallic paint, acid etched on aluminum, wood Dina Recanati (born Diane Hettena; 1928 – 2021) was an Israeli artist, sculptor and painter. Diane Hettena was born in Cairo, Egypt. In 1946, she married Raphael Recanati in Tel Aviv, Mandatory Palestine. Went to London to study History and Art 1946-1948. Moved to New York 1948. Raised two sons, Oudi and Michael. Attended Art Student League 1959-1962. Studied with Jose de Creft and John Hovannes. Beginning in 1964, she was active on the board of the America-israel Cultural Foundation. In the 1970s, she was a member of the board of the Israel Museum and in the 1980s Bezalel Academy of Art & Design, Jerusalem. At the same time as she was working as an artist, she was also collecting artwork. She lives and works in Herzliya and New York. Most of Recanati's work is in the medium of sculpture. Her works, which contain images of books or parchment, have been influenced by American abstract expressionism in their use of swaths of color. In the 1980s and 1990s, she worked widely in sculptures in the public domain. Dina Recanati was a proponent of Israeli art and supported many Israeli artists. In the 1950s and 1960s, she showcased the work of beginning artists at the 5th Avenue branch of Israel Discount Bank in New York City, while growing Discount Bank’s art collection. She has gone on to exhibit worldwide with permanent works in the Israel Museum, Tel Aviv Museum, Ben Gurion Airport, The Jewish Museum (New York) among others. She is the recipient of the AICF AVIV Award and The Council for a Beautiful Israel Yakir Award. She was represented by Flomenhaft Gallery in New York City (was included in the Feminist Art Project along with Miriam Schapiro) and Gordon Gallery in Tel Aviv. Recanati died in Herzliya Pituah at the ate of 93. Israeli Art: Painting, Sculpture, Graphic Work. Tel Aviv Museum of Art, Tel Aviv 1971 Artists: Igael Tumarkin, Bezalel Schatz, Yehiel Shemi, Buky Schwartz, Dina Recanati, Menashe Kadishman, David Palombo, Itzhak Danziger, Sorel Etrog, Yaacov Agam, Jakob Steinhardt, Louise Schatz, Anna Ticho, Ruth Schloss, Moshe Castel, Yohanan Simon, Lea Nikel, Marcel Janco, Mordecai Ardon etc. 40 From Israel: Contemporary Sculpture & Drawing Israel: Contemporary Sculpture & Drawing Brooklyn...

Granite Sail - Abstract Wall Sculpture in Wood, Resin, and Aluminum Whimsical and fluid abstract composition by Craig French (American, b. 1959). Cast re...