Luc-Albert Moreau Portrait Prints

The Jewish Welfare Board. Original World 1 vintage poster, very good condition; archival linen-backed and ready to frame. Printer: Alco-Gravure, Inc., N. Y. There is a tiny ch...

Jean Cocteau, Portrait de Jean Desbordes is a Lithograph on vélin pur fil des Papeteries du Marais, realized by Cocteau in 1929. Belongs to the suite "25 Dessins d'Un Dormeur", publ...

LOUISIANA SERENADE is a limited edition color lithograph by the renowned African American artist Romare Bearden, printed on archival Somerset printmaking paper, 100% acid free, in an edition size of 175. LOUISIANA SERENADE, from Bearden's late 1970's colorful JAZZ series of musical imagery, captures a Southern evening depicting two male figures playing their guitars on the veranda while a seated woman sits listening beside a glowing glass chimney lamp. LOUISIANA SERENADE, printed in lush hues of green, red, yellow, purple, blue presents a free flowing watercolor-like abstract music portrait by the renowned American artist Romare Bearden. Print size - 24.5 x 33.75 inches, unframed, excellent condition, fresh colors, full bleed image, no margins, hand signed in pencil by Romare Bearden, printer's chop mark embossed on lower edge, print documentation provided Year Published - 1979 Edition size - 175, plus proofs About the artist- Romare Bearden (1911-1988) Born in Charlotte, North Carolina, Romare Bearden is one of America’s most esteemed African American contemporary artists. Bearden grew up in the Harlem neighborhood of New York City and attended New York University where he received a degree in mathematics. Following graduation, Bearden turned his attention to art, pursuing further studies with George Grosz at the Art Students League. The artist served in the United States Army from 1942 to 1945. After leaving the Army, Bearden used funds from the GI Bill to travel to Europe for six months to study art history and philosophy at the Sorbonne. During this trip, Bearden had the opportunity to meet Henri Matisse, Georges Braque and Joan Miro, all of who had a strong influence on his artwork. Bearden’s work on canvas and collages expressed the complexities of rural Black America. “My intention is to reveal through pictorial complexities of the life I know,” he said. He integrated scenes from his childhood in North Carolina and from New York City, including many rituals and social customs. Another theme throughout his work was music. Bearden grew up surrounded by musicians and loved jazz and blues. Romare Bearden’s artwork can be found in numerous permanent collections around the country including the Museum of Modern Art and the Metropolitan Museum of Art. Retrospective exhibitions of Bearden’s art have been held by The Mint Museum of Art, Charlotte; the Museum of Modern Art; the Detroit Institute; and the Studio Museum in Harlem. As well, President Reagan...

This exquisite lithograph by Andre Derain (1880–1954), titled Tete de Jeune Fille (Head of a Young Girl), from Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, originates fro...

Finely detailed late 19th century chromo-lithograph portrait of a violinist street musician by John George Brown (British, 1831-1913). Many of Brown’s paintings were reproduced in lithography (Chromo-lithograpy), as is the case with the one offered here. Presented in a rustic antique Oak wood frame with giltwood fillet. Image, 15.63"H x 10.63"W. John George Brown was a British citizen and an American painter born in Durham, England. His parents apprenticed him to the career of glass worker at the age of fourteen, in an attempt to dissuade him from pursuing painting. He studied nights at the School of Design in Newcastle-on-Tyne while working as a glass cutter there between 1849 and 1852, and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 ad 1853. After moving to New York City in 1853, he studied with Thomas Seir Cummings at the National Academy of Design where he was elected a National Academician in 1861. Brown was the Academy’s vice-president from 1899 to 1904. Around 1855, he worked for the owner of the Brooklyn Glass Company, and later he married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time. In 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. Brown became famous for his depictions of street urchins found of the streets of New York (bootblacks, street musicians, posy sellers, newsboys, etc.). Brown’s art is best characterized as British genre painting...

"Troupe de M'lle Eglantine" 1974 reproduction of an 1896 poster by Henri Toulouse-Lautrec produced under the auspices of the Lautrec Museum in Albi, France. Authenticated with museum...

This exquisite lithograph by Georges Rouault (1871–1958), titled Tete de Jeune Fille (Head of a Young Girl), from Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, originates ...

Discover the raw energy and bold style of acclaimed Colorado artist Ethel Magafan with this original modernist lithograph titled Riding the Brahmas. This striking mid-20th-century pr...

"Mlle Landsberg" (grade planche, pl. 16), 1914 Henri Matisse (French, 1869-1954) Signed and Numbered Lower Right Edition 12/15 Image size: 7 7/8 x 4 5/16 inches Sheet size: 17 11/16 x 12 1/2 inches With frame: 19 1/2 x 14 1/2 inches Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension. Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died. Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts). By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913. At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...

AMERICAN GOTHIC is a colorful, rarely seen limited edition lithograph by the American artist and Pop Art icon Peter Max, printed using traditional lithography techniques on archival ...

SIX GEISHA WITH FLOWERS is an original hand drawn lithograph on archival Somerset printmaking paper, 100% acid free by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN, ...

RED HOT is an original handmade limited edition lithograph by the woman artist Robin Morris printed using hand lithography techniques on archival Coventry paper, 100% acid free. Ms. ...