Maarten Baas Armchairs
Furniture designer Maarten Baas doesn't subscribe to conformist notions of beauty and symmetry. He finds appeal in the character of aged patinas and wear from usage. As such, Baas doesn't seek to create furniture or decorative objects that are perfectly proportioned — for proof, look no further than to the unconventional cabinets of his Close Parity collection or the chairs with oddly shaped backrests he designed for Lensvelt.
Baas breaks unspoken rules, and his influential work is as much art as it is functional design — he’s garnered support from likeminded creatives in his field such as Phillippe Starck and Marcel Wanders, and explores how he might put unusual materials to work such as clay or charred wood in the construction of his chairs and table lamps.
Baas was born in Germany and grew up in the Netherlands. After graduating high school, he began his studies at the Design Academy in Eindhoven. Before he had even graduated, Baas made an impression on instructors and students alike with his graduation project.
Using pieces of secondhand furniture he had procured online — some of which was manufactured by IKEA — Baas scorched the wood all the way through with a blowtorch. He soon found a way to preserve the wood once it was burned through, and this led to his inaugural Smoke series. The chairs and a lighting fixture from this line were put into production by Moooi, a furniture brand Wanders cofounded with Revised’s Casper Vissers in 2001. Hospitality guru Ian Schrager got in touch, and a pool table from the collection was custom-made by Baas for the Gramercy Park Hotel.
Since Smoke, Baas has produced numerous pieces, with his best-known efforts involving the repurposing of existing furniture and modifying it to look the way he wants. Ever the innovator, Baas introduced a series of clock designs as part of an art installation that began to take shape in 2009 at the Salone Del Mobile in Milan.
The designer’s clocks see an incorporation of video and other technology. Each piece, such as the ten-foot tall model installed at Amsterdam’s Schiphol Airport in 2016, presents the illusion of human figures toiling to keep time behind its face by way of a 12-hour recorded performance.
Baas’s works are held in the collections of many notable museums, including the Metropolitan Museum of Art in New York City.
21st Century and Contemporary Dutch Modern Maarten Baas Armchairs
Metal
Early 2000s Dutch Mid-Century Modern Maarten Baas Armchairs
Leather, Wood
Early 2000s Dutch Mid-Century Modern Maarten Baas Armchairs
Leather, Wood
21st Century and Contemporary Dutch Modern Maarten Baas Armchairs
Metal
2010s Brazilian Organic Modern Maarten Baas Armchairs
Wicker
21st Century and Contemporary Maarten Baas Armchairs
Clay
Early 2000s Italian Maarten Baas Armchairs
Metal
21st Century and Contemporary Italian Maarten Baas Armchairs
Leather, Ash
Early 2000s Italian Organic Modern Maarten Baas Armchairs
Wrought Iron
21st Century and Contemporary Dutch Modern Maarten Baas Armchairs
Metal
Mid-20th Century Danish Mid-Century Modern Maarten Baas Armchairs
Beech
Mid-20th Century Italian Mid-Century Modern Maarten Baas Armchairs
Bamboo, Wicker, Rattan
1930s American American Colonial Vintage Maarten Baas Armchairs
Maple
1870s American American Classical Antique Maarten Baas Armchairs
Rush, Walnut
2010s Brazilian Modern Maarten Baas Armchairs
Wood
21st Century and Contemporary Maarten Baas Armchairs
Clay
2010s Dutch Post-Modern Maarten Baas Armchairs
Leather, Epoxy Resin
21st Century and Contemporary Dutch Modern Maarten Baas Armchairs
Upholstery
