Maison Gripoix for Chanel Beaded Necklaces

Incredibly Versatile Chanel Double Strand Pearl Necklace from the 1980's. Super long hand knotted faux pearls with hand made bronze cruci...

Lovely Chanel Byzantine link endless faux pearl necklace. Composed of continuous Maison Gripoix hand knotted glass faux pearls with hand made Maison Gripoix poured glass ruby and eme...

This unique Chanel Gripoix vintage necklace displays a strand of gold-toned chains with blue clover flower motifs and a beaded chain. Finished with an...

Chanel Pearl and Quilted Bead Chain with wire wrapped Gripoix glass pearls and stations of gilt quilted bronze beads to replicate the quilting on famed Chanel bags. Versatile with cl...

Vintage Chanel Long Pearl Necklace Sautoir with Bars Of Gold Chanel Chanel/Chanel in Between. Circa 1983. Can be twisted two or three times around as per your preference. This necklace is a classic necklace that could be listed amoung the top items one needs or wants to have in their wardrobe. Goes with jeans and a t shirt or a little black dress. Depending on if it is worn long or twisted tight three times it is a stunning piece and in magnificent shape. They really don't make them like they used to. You could also wear this with a brooch latched on to it which would be stunning. A double cc brooch or even a colorful one would do the trick. It doesn't have to be Chanel. But it would take you to the next elevation should you choose. It's just an option.!!! Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well educated but poorly endowed bride who has to marry a petty official; and thus suffering from the limitations of living a life with a husband that lacked any exquisite qualities. In order to entertain his dejected spouse, one day her husband gets an invitation to a ball and gives his wife 400 francs he had saved for a hunting rifle so that she would be able to order an appropriate dress. However, when the dress is ready it becomes clear that it is lacking jewelry; and it would be impossible to attend the ball while looking so poor. The protagonist approaches her rich childhood friend with whom she was raised together at the monastery and borrows a diamond necklace from her. The ball is a great success and she is the centre of attention. However when the woman returns home, she discovers that she has lost the necklace. In order to conceal her faux pas from her friend, she buys a new necklace identical to the one she lost, and to pay it off the woman gets into a huge debt which over the years gradually drags her down the social ladder from bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful and rich. The protagonist reveals to her friend the whole story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most”. Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals; casting glass into different shapes and colours and inserting them into most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or qypsum form was filled with a multi-colour pieces of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds skipping the furnace step, allowing her to achieve the purity of colour, transparency and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses and Princesses qued up ... so Madame Gripoix would make them replicas of their own jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890’s when she started making necklaces for Sarah Bernhardt to wear on stage; and later the costume jewelry for the first high fashion house of Charles Frederick Worth. Later on, Paul Poiret, the leading couturier of the 1910’s contacted her and she created sophisticated oriental style jewelry for him to match his famous oriental costumes based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right; and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920, when Augustina’s daughter Susan became the head of the House; Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Exquisite Coco Chanel statement necklace by Maison Gripoix featuring an Art Deco fringe design, beaded in green and red glass beads which are accented...

Chanel necklace with crystal poured glass double flower motif on hand knotted 20 mm high quality Maison Gripoix handmade oyster toned faux pearls. Length: 16", pearl size 20 x 15 m...

Rare Vintage CHANEL before 1980, crafted for Gripoix. A piece of history ! Made of green molten glass pearls and a beige molten glass camellia. This necklace is in very good conditio...

The jewelry and accessories of the 80's had to compete with the fashions which were both flamboyant and boisterous. This oversized runway scaled pearl necklace by Chanel is a perfect...

Chanel necklace of crystal poured glass flowers with baroque pearls. 20 mm high quality Maison Gripoix handmade oyster faux pearls. Length: 16", pearl 20 x 15 mm, station 60 x 50 mm...