Manuel Robbe More Prints
Manuel Robbe lived in Paris all his life, creating images that echoed the polished splendor of the Belle Epoque. He exhibited often at the Salons, first at the Société des Artistes Français (winning a gold medal at the Exposition Universelle of 1900) and after 1905 at the Société Nationale des Beaux-Arts. As the turn of the century, critic Gabriel Moury noted, Robbe's favorite subject was the "modern woman," her costumes, and activities and the visual elegance of her world. Absorbing the influence of Impressionism, particularly Renoir, Robbe applied a sensitive painterly touch to techniques that fit with the new paradigm of mass production. He designed and printed posters for corsets and bicycles, seeing, like Toulouse-Lautrec, the artistic potential of the new commercial era. Robbe also created illustrations for humorous magazines and made colored etchings of the works of contemporary artists. He was a favorite artist of the celebrated Parisian print publisher Edmond Sagot, who promoted his work. Robbe was a pioneer of the à la poupée process, enabling an artist to print multiple colors from a single plate. He invented his engraving technique known as “sugar-life,” using a mixture of sugar, India ink and gum Arabic on Zinc plates. The plates were heated, intricately worked and color was applied with brushes made of rags; Robbe then used his fingers to perfect the tones. Such technical mastery allowed Robbe to make each image unique, imbued with a lushness and immediacy befitting of the era in which he lived.
Early 1900s Manuel Robbe More Prints
Paper, Engraving
1920s Manuel Robbe More Prints
Paper, Engraving
Early 1900s Manuel Robbe More Prints
Paper, Engraving
Early 1900s Manuel Robbe More Prints
Paper, Engraving
Early 1900s Manuel Robbe More Prints
Paper, Engraving
1910s Manuel Robbe More Prints
Paper, Engraving, Aquatint
1890s Symbolist Manuel Robbe More Prints
Paper, Engraving
2010s Contemporary Manuel Robbe More Prints
Oil, Handmade Paper, Engraving
Mid-19th Century Naturalistic Manuel Robbe More Prints
Paper, Engraving
Early 19th Century Naturalistic Manuel Robbe More Prints
Engraving, Aquatint
1970s Contemporary Manuel Robbe More Prints
Engraving, Etching, Printer s Ink, Archival Paper, Aquatint
Moshe CastelANCIENT SCRIPT Original Etching, Abstract Hebrew Letters, Stone Tablet Red Black, c.1979
1990s Contemporary Manuel Robbe More Prints
Drypoint, Paper, Aquatint
1950s Modern Manuel Robbe More Prints
Wood, Archival Paper, Engraving
1960s Modern Manuel Robbe More Prints
Drypoint, Etching, Aquatint
Late 18th Century French School Manuel Robbe More Prints
Engraving, Etching, Intaglio
1970s Contemporary Manuel Robbe More Prints
Printer s Ink, Archival Paper, Engraving, Etching, Aquatint
Moshe CastelANCIENT HEBREW WRITING Original Etching, Abstract Letters Turquoise, Black, Gold, c.1979
2010s Contemporary Manuel Robbe More Prints
Oil, Handmade Paper, Engraving
Late 18th Century French School Manuel Robbe More Prints
Engraving, Etching, Intaglio







