Martyn Brewster Art

This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif Salzer and is in the permanent collection of the Museum of City of New York...

Solidly grounded in Abstract Expressionist tradition, process-oriented painter Thomas Nozkowski’s method is predicated on relinquishing the idea of an end result. To highlight this, ...

Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract. Paper: 29.5 x 38.75 in. / 74.7 x 98.2 cm. Soft-ground etching with hand coloring in black gouache on grey BFK Rives mould made paper. Signed by the artist, dated 79, and numbered 59/100 lower center in red crayon. Printed from the same plate as 'Thinking Aloud in the Museum of Modern Art', this print was previously titled "Not Quite Alone in the Museum of Modern Art," suggesting an erotic dalliance in the museum. This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Beside bold black strokes, his fingerprints form areas of texture. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each print in the edition unique. Howard Hodgkin was introduced to the etching technique used in 'All Alone in the Museum of Modern Art' at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...

Schanker, Louis. CIRCLE IMAGE NO. 25. Relief Print in color, 1954-1955. Edition of 210 published by IGAS. Signed and numbered 17/200 (the edition included 10 artist's proofs). 14 x 1...

Stanley William Hayter, 'Green Shade', color etching and scraper, 1963, edition 50, (only 39 printed), B&M 278. Signed, titled, dated, and numbered '1/50' in pencil. A superb, richly-inked, luminous impression, with fresh, vivid colors, on Barcham Green textured cream wove paper; the full sheet with margins (2 3/16 to 3 1/4 inches), in excellent condition. Printed: intaglio black-green, contact lumogen yellow, soft roller phthalo green. Scarce. Image size 15 7/16 x 11 5/8 inches (392 x 295 mm); sheet size 21 1/8 x 16 inches (537 x 406 mm). Matted to museum standards (unframed). Collection: The British Museum ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17...

In "Late Night", Frederick Mershimer created a winter scene where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope. This image, the seventh in t...

Signed and numbered by the artist. Medium: Etching and aquatint Image Size: 14 x 11.25 inches Edition size: 13 The horizontal and vertical directional lines and the use of black and...

These lively, colorful works are full of movement and Mira's characteristic mysterious, mythical figures and shapes. Victor Mira Set of three woodcuts on buff, textured paper, 1983...

Louis Schanker : 1903-1981. Well, listed American abstract artist. He was well exhibited and is in the permanent collections of many important museums. This fabulous piece is a color...

Pastoral is an abstract drypoint with aquatint by Christian Bozon, composed of layered fields of color that evoke a simplified landscape. A warm band of rust and ochre rests above a ...

Etching and aquatint, 1964 Publisher : La Rose des Vents, Paris Printer : Jean Signovert Catalog : [Schneider XXV] 37.00 cm. x 27.00 cm. 14.57 in. x 10.63 in. (paper) 32.50 cm. x 23...