Mary Katherine Sands Portrait Paintings

A wonderful depiction of a dapper Parisian dandy, dating from 1848. I love his air of decadence! It is a work by F de Korff, a mysterious French aristocratic portrait artist who had ...

You Got to be a Football Hero to Get Along with a Beautiful Girl. Masterfully composed and dynamic illustration that show a player getting punched in the jaw. During this period, there were no face...

Alice Coutts A Tesuque Indian and Baby, New Mexico, circa 1910 Signed lower left Oil on canvas 20 1/4 x 12 1/4 inches Provenance Scott Tevis, Santa Barbara, California A native of...

Vibrant fauvist portrait of a woman by Sarena Rosenfeld (American, b. 1940), 1995. Signed and dated lower right hand corner and on verso. Titled "Smoke and Mirrors." Gallery wrapped ...

The present pair of portraits would make an exceptional addition to any collection of early American art not only because they were painted by the notable William Jennys, but also because the sitters are members of notable and influential New England families. In addition, these pendants have impeccable provenance: they have never left ownership of the decedents of the Kimball family and this is the first time they have been available for purchase. David Kimball (1766-1848) and Nancy Stacy Kimball (1774-1844) were members of historic Massachusetts families. David Kimball is a sixth-generation decedent of Richard Kimball (d. 1675) and Ursula Scott (d. 1659), who emigrated from Rattlasden, Suffolk County, England to Watertown MA around 1634. The family then relocated in 1637 to Ipswich, the city with which the family is now most strongly identified, when Richard was appointed to be a wheelwright.[1] Nancy likewise had early New England ancestry, descended from Simon Stacy and Elizabeth Clark, who were married in London in 1620.[2] Nancy Stacy was the second wife of David Kimball, and the two were married in 1799. Given this, the present pendant portraits were likely completed shortly after the marriage. David had two children by his first wife Mary Morse, who died in September of 1798. David and Nancy would have nine additional children between 1801 and 1815.[3] Most notably, the couple were parents of the Boston politician and showman Moses Kimball (1809-1895).[2][3] Moses would found the Boston Museum, an early for-profit museum and theater opened in 1841 that resembled European curiosity cabinets: the museum displayed paintings of Thomas Scully and Charles Peale alongside Chinese artwork, stuffed animals, dwarves and mermaids. Alongside these exhibits, visitors could attend the theater which held performances by gymnasts and contortionists, followed by performances of Shakespeare and Dickens.[4] This museum set the model for the Museum of Fine Arts, Boston, which when founded in 1870 held a similarly diverse collection and appealed to the interests of a diverse set of visitors.[5] Moreover, some Greek antiquities from Moses Kimball's museum were eventually given to the MFA and Moses donated approximately $5,000 to the MFA's endowment upon his death.[6][7] William Jennys (1774–1859), also known as J. William Jennys, is an important American primitive portrait...

The son of the legendary Napoléon Bonaparte, Napoléon François Charles Joseph, takes a spirited stance in this remarkable oil painting attributed to the Austrian portraitist Johann Peter Krafft. Believed to have been exhibited at the Exposition Universelle of 1900 in Paris, this work stands as a testament to both Austrian artistry and the legacy of one of the most powerful men in history. After Napoléon's exile to the island of Elba in 1814, his son was seen by many of his supporters as the last hope of France. The child was named the ruler of half of Europe, holding the titles of Napoléon II...

Sarah Anne Freeman Clarke Interior Scene with Lady and Two Children, 1883 Signed lower right Oil on canvas 32 x 27 inches Sarah Anne Freeman Clarke was born in Massachusetts in 180...

Signed oil on canvas portrait circa 1890 by French academic painter Tony Robert-Fleury. The work depicts a young red-headed woman wearing in a white dress with blue trim. She is stti...

Canvas measures 61x50 cm. Frameless He was born in 1951. Under the direction of the master Pedro Bermejo, he began his artistic career, quickly highlighting and observing in his works an unusual mastery of drawing. A very mature painter who has known how to stop time in all his works. His themes are preferably costumbristas although in his work the usual thing is to see eight century themes, with horse carriages, hats, umbrellas and still lifes. Observing his work reminds us, by the subject, of Maestro...

I love the feisty attitude of the girl depicted! With her hand on her hip, she seems to be saying to the artist: "Whatya looking at anyway?" She looks like she has a good head on he...

Paul Gervais was one of the most highly regarded painters of the female form in the late 19th Century but this is one of his most famous images as it was used in the advertising camp...

William-Adolphe Bouguereau 1825-1905 French La fille du pêcheur (The Fisherman’s Daughter) Signed and dated “W-Bouguereau-1882” (middle right) Oil on canvas William Bouguereau's...