Maryann Brummer Art

May Lydia Ames (American, 1863-1943) Near Carmel, Calif., 1932 Oil on board Signed and dated lower left, signed and titled verso 14 x 20 inches 18.5 x 24.5 inches, framed May Ames w...

Quite Village Lane by Fanch Lel (French b. 1930) size: 8.75 x 10.75 inches oil painting on board, unframed condition: the painting is in very good condition. It has previously been s...

Cloudy landscape. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

Woman in a garden. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

The Garden Couple signed by Fanch Lel (French b. 1930) size: 8.75 x 10.5 inches dated 92' oil painting on board, unframed condition: the painting is in very good condition. It has pr...

'Agay, le château et le Sémaphore'. Oil on canvas. +/- 1922 Signed lower right Measurements : 60 x 73 cm. This painting will be recorded in the second volume of the Catalogue Raisonn...

Titled by the artist “Where the West Ends”, this colorful and bright California landscape is likely the coast near San Diego. The painting is oil on board and measures 20” x 24”. Wit...

Vintage French Oil Painting by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on artist paper stuck on board, unframed measures: 6 high ...

This exceptional oil painting by T.M. Nicholas presents a commanding foxhunting scene. The work depicts a mounted hunter in the iconic red riding coat, pausing in a field bathed in l...

Title: Impressionist Horse Racing Scene with Jockeys and Spectators under Violet Sky By Fanch Lel Signed: Yes Size: 15 x 18.25 inches (height x width) Oil painting on cardboard, unfr...

Autumn ,fairy tale, Forest ,Blue,green,yellow,1950 Signed bottom right in Cyrillic character Vladimir JOUKOV (Pocrovca, Ussuriysk, 1922/2010) After a difficult and poor childhood, a...

Depicts the terminal view from LAX. Sparsely populated though replete with objects and evidence of the built environment, Gay Summer Rick creates iconic urban and coastal land and cityscape paintings that evoke emotion and a sense of place. She creates scenes that are at once dreamlike and familiar. You may have been there; you are there. Revealing an unexpected beauty in commonplace elements within the urban landscape, Gay Summer’s style is a melding of impressionism and color-field painting describing the quiet vibration of life where cities meet the sea. Applying oil paint to canvas using only palette knives, Gay Summer Rick creates images through a series of interacting, melded layers. The paint is treated architectonically; it is engineered, built into layers, carved, scraped, accumulated, and almost sculpted, but never removed, never discarded. In part to avoid material waste and the use of toxic solvents for reasons of environmentalism, she finds this almost mnemonic accrual of paint a reflection of her experiences in the places she depicts. Growing up in New York surrounded by artists, Gay Summer Rick began her arts education early in life. She went on to formally study art and received her Bachelor of Fine Arts degree in New York at the School of Art and Design, Alfred University, where she drew, painted and sculpted images on clay forms and vessels. After receiving a Masters degree in Business Administration, she continued her art training in Los Angeles in painting, which became the primary focus of her art practice. A resident of Southern California for over 25 years, the artist maintains her studio in Malibu. Gay Summer Rick regularly exhibits in California and Hawaii, and has shown in New York, Europe, and Japan. Her paintings have been featured in solo gallery exhibitions and museum group exhibitions including the Los Angeles County Museum of Art Rental & Sales Gallery; and in international and national group exhibitions where she has received numerous awards and honors. She is a member of Oil Painters of America, California Art Club, Malibu Art...