Matthäus Merian the Elder Art

Colorful figurative drypoint print by Polish artist Czeslaw Tumielewicz. Subject for this artwork comes from Miguel de Cervantes' book. The print is signed, it comes from edition lim...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 190 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...

"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 150 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

Subject for this artwork comes from Miguel de Cervantes' book. The print comes from edition limited to 5. CZESLAW TUMIELEWICZ (b. 1942) In 1968, he studied at the Architecture facul...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 176 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

"Illustrations of the Book of Job" Engraving "The Fire of God is Fallen From Heaven...And the Lord said unto Satan Behold All that he hath is in thy Power" Engraving, third printing...

Black and white etching on wire rod paper, representing the Greek myth of Glaucus. Wonderful plate with very fresh impression and an elegant line, from the volume “Le Temple des Mus...

Assassinat De Basseville à Rome is an original black and white etching realized by Pierre Gabriel Berthault, after Jacques François Joseph Swebach-Desfontaines in 1793. Title with caption on plate on the lower center: "Assassinat de Basseville, à Rome/ le 13 Janvier 1793, ou 23 Nivose An Ier de la République". Below the image on the lower margin, "Swebach Desfontaines onv. et del. / Berthault sculp." is etched on plate. This modern artwork is numbered "N. 76", because it is from the series Les Tableaux historiques de la Révolution française. As a matter of fact, Pierre-Gabriel Berthault is well-known for having engraved plates from this collection with the collaboration of the engraver Jean Duplessis-Bertaux. A work - hanging in the balance between news and history - with illustrations of salient or minimal events occurred during the French Revolution. As a celebration of the new ideals of brotherhood, justice, and equality, Les Tableaux immediately became a point of reference for journalism at the time. Of traditional cut, namely showing a view with many human figures, the engraving simplified the lines to be immediately readable for the general public. In our specific case, this original print represents the murder of Hugou de Bassville or Basseville (7 February, 1743 – 13 January, 1793), a French journalist and diplomatist, and protector of the radical Jacobins in Rome. In excellent conditions, except for a usual yellowing of the paper on the edges and a light trace of oxidations on the lower and right margins, beyond the marginal line of the matrix. Pierre-Gabriel Berthault (Saint-Maur-des-Fossés, 1737 - Paris, 1831) was a French master who made engravings from drawings by Jean-Claude Richard de Saint-Non (known as the Abbot of Saint-Non) and from paintings by Louis François Cassas. He depicted many views of Italy and created the collections Voyage à Naples and Voyage pittoresque de la Syrie, de la Palestine et de la basse-Egypte. Before the French Revolution, he was famous for being the author of the Vues intérieures de Paris and for tables with architectural elevations.

Subject for this artwork comes from Miguel de Cervantes' book. CZESLAW TUMIELEWICZ (b. 1942) In 1968, he studied at the Architecture faculty of Gdank, before continuing his course a...

"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist "Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist A Drypoint etching on Wove...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 162 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...